Showing posts with label Matt Allison. Show all posts
Showing posts with label Matt Allison. Show all posts

Saturday, March 8, 2025

The Slaters


 
ORIGINS: Hurstville, NSW
GENRE: Indie / Power Pop
YEARS ACTIVE: 1983-1994
 
Most photos by Ange Scully and Dasi Pacific. 
 
MEMBERS:
  • Matt Allison - Guitar, Vocals
  • Darren McNamara - Bass, Vocals
  • John Vittorio - Guitar, Keyboards, Vocals 
  • Matt Nash - Drums (1983-1987)
  • Paul Sloane - Drums (1987-1991) 
  • Chris Russel - Drums (1991)
  • Mick Searson - Drums (1992 - on some tracks on album)
  • Mick 'Mickster' Baty - Drums (1992-1994)
  • John Narbeshuber - Bass (1983)
  • Andrew Barrs - Vocals (1983)
  • David Bulmer - Vocals (1983)
RELEASES: 
  • Put Out the Trash (1986)
    • 1. Wild World
    • 2. Someone Like You
    • 3. Colour of Life
    • 4. Tonight 


  • Teenage Dreamers (1988) - Download Here.
    • 1. No One's Home
    • 2. End of the Ride
    • 3. Awakening 

  •  Crystal Girl (1989)
    • 1. Crystal Girl
    • 2. Pharaoh's Curse 
  • The Big Black Bug Bled Black Blood (1992)
    • 1. Nothing Makes Sense
    • 2. Silly Games
    • 3. Kate
    • 4. Hear This
    • 5. Just Like the Rest
    • 6. I Bet There's More
    • 7. Back to Where You Started
    • 8. You're Wrong
    • 9. Stranded at the Lansdowne
    • 10. Stuff 'N' Junk
    • 11. Crystal Girl
    • 12. Still Around
    • 13. Oldest Story in the World
    • 13. Dragstrip Queen
    • 15. Angel
SUMMARY: Initially called Strange Covers, The Slaters began as a collection of friends who met each other at high school, and developed into a popular power pop quartet during the late '80s. A couple of releases registered on the alternative charts and the band released a music video for 'No One's Home' in 1988, eventually recording a full album in the early '90s after a lineup adjustment with a new drummer, Mick Baty. 

 
SHOWS: 
  • St George Budapest Club, St George - unknown date, 1984
  • Bexley Golf Club, Bexley - unknown date, 1984
  • Mortdale Hotel, Mortdale - 28th August, 1987
  • The Den, Penshurst - 28th May, 1988
  • Lansdowne, Sydney - 26th January, 1989
  • The Den, Penshurst - 28th January, 1989
  • Lansdowne, Sydney - 18th March, 1989
  • Harold Park Hotel, Glebe - 23rd March, 1989
  • Lansdowne, Sydney - 25th March, 1989
  • Royal Hotel, Sutherland - 31st March, 1989
  • The Den, Penshurst - 14th April, 1989 
  • Lansdowne, Sydney - 19th April, 1989
  • Sutherland Entertainment Centre, Sutherland - 28th April, 1989
  • Unknown Venue - 4th May, 1989
  • Lansdowne, Sydney - 6th May, 1989
  • The Evening Star, Surry hills - 14th May, 1989
  • Hopetoun Hotel, Surry Hills - 18th May, 1989
  • Max's, Petersham - 9th June, 1989
  • The Evening Star, Surry Hills - 11th June, 1989
  • The Den, Penshurst - 24th June, 1989
  • SW10 Club, Caringbah - 25th June, 1989 
  • Royal Hotel, Sutherland - 6th July, 1989
  • Sandringham, Newtown - 8th July, 1989
  • The Den, Penshurst - 14th July, 1989
  • Lansdowne Hotel, Sydney - 15th July, 1989
  • Royal Hotel, Sutherland - 22nd July, 1989
  • Sutherland Entertainment Centre, Sutherland - 28th July, 1989
  • The Den, Penshurst - 3rd August, 1989
  • Royal Artillery, Melbourne - 4th August, 1989 (VIC)
  • Barwon Club, Geelong - 5th August, 1989 (VIC)
  • Evelyn Hotel, Fitzroy - 6th August, 1989 (VIC) 
  • The Den, Penshurst - 1st September, 1989
  • The Journo's Club, Sydney - 14th September, 1989
  • The Den, Penshurst - 23rd September, 1989
  • The Cave, Sydney - 29th September, 1989
  • Royal Hotel, Sutherland - 13th October, 1989
  • Gladstone Hotel, Toowoomba - 20th October, 1989 (QLD)
  • St Pauls Tavern, Brisbane - 21st October, 1989 (QLD)
  • 104 Club, Brisbane - 25th October, 1989 (QLD)
  • James Cook University, Townsville - 27th October, 1989 (QLD)
  • Seaview Tavern, Townsville - 27th October, 1989 (QLD)
  • Tattersals Hotel, Townsville - 28th October, 1989 (QLD)
  • Tattersals Hotel, Townsville - 29th October, 1989 (QLD)
  • James Cook Tavern, Townsville - 30th October, 1989 (QLD) 
  • Gladstone Hotel, Toowoomba - 3rd November, 1989 (QLD)
  • Max's, Petersham - 11th December, 1989
  • The Den, Penshurst - 16th December, 1989
  • Royal Hotel, Sutherland - 28th December, 1989
  • Promises, Sylvania - 29th December, 1989
  • The Den, Penshurst - 6th January, 1990
  • Royal Hotel, Sutherland - 12th January, 1990
  • Habour Cruise, Sydney - 14th January, 1990
  • Promises, Sylvania - 19th January, 1990
  • Promises, Sylvania - 9th February, 1990
  • Harold Park Hotel, Glebe - 4th March, 1990
  • Lansdowne Hotel, Sydney - 8th March, 1990 
  • Unknown venue, Melbourne - 14th March, 1990 (VIC)
  • Unknown venue, Melbourne  - 15th March, 1990 (VIC)
  • Unknown venue, Melbourne - 16th March, 1990 (VIC)
  • Unknown venue, Melbourne - 17th March, 1990 (VIC)
  • Unknown venue, Melbourne - 18th March, 1990 (VIC)
  • Unknown venue, Melbourne - 19th March, 1990 (VIC) 
  • The Evening Star, Surry Hills - 4th August, 1990
  • Maleny Folk Festival, Maleny - 28th December, 1990 (QLD)
  • The Empress, Melbourne - 19th March, 1993 (VIC)
  • Barwon Club, Geelong - 20th March, 1993 (VIC)
  • The Tote, Melbourne - 21st March, 1993 (VIC)

ORAL HISTORY:
MATT: It was 1983 at high school, myself and a few mates decided to form a band. We called ourselves Strange Covers, which was inspired by a Redgum album cover our Music teacher owned. None of us had instruments let alone knew how to play except for our drummer, so the rest of us went out and bought cheap guitars and started mucking around on Beasts of Bourbon and Hoodoo Gurus songs - they were pretty simple and great tunes! We loved The Church also, but they were pretty hard to replicate on cheap instruments with minimal talent!
Matt Allison (Guitar, Vocals), Noise Levels correspondence, 2025
 
DARREN: We met at high school and worked out we all liked music. None of us played at the time, except for our drummer. We had diverse tastes initially. A lot of Aussie bands like Hoodoo Gurus, Sunnyboys, Radio Birdman, and overseas bands like The Clash, The Jam, The Ramones. We quickly got into more local artists like Happy Hate Me Nots, Trilobites, Hard-Ons.
Darren McNamara (Bass, Vocals), Noise Levels correspondence, 2025
 
DAVID: I jumped into singing with the band because no one wanted to do it. I used to hang around the boys in the Strange Covers / Slater days. Did appear as a singer at one stage - from memory we played two songs, 'Jumping Jack Flash' and 'Get Back' and it was at the old St George Budapest Club. It was a Sunday arvo old fashioned talent quest. We were shit but had fun. We came second to a 7-year old singing 'Rainbow Connection'. To be fair she was good. I left the band pretty soon after that... creative differences, I wanted to work on my solo career. But honestly it was a teenage thing and good fun but I was no singer. I'm still working on the solo career, haha. I hung with the guys still after I left.
David Bulmer (Vocals), Noise Levels correspondence, 2025
 
 
MATT: We played one gig with the seven member lineup at a school function, after which John Narbs, Andrew, and David left. The remaining four of us renamed ourselves The Slaters and kicked off with three guitars and drums (no bass). At some point Darren switched to bass and we all swapped around with lead vocals (except Matt Nash). Somehow we got involved with the local chapter of The Young Socialists, based in Hurstville where I lived. We were all fairly apolitical at the time (we were 14 years old!) but they roped us into playing a few fundraisers which as far as I remember were held at Bexley Golf Club. The shows were a blast! I'm sure we were pretty terrible but we felt like rock stars and received a pretty decent reception. We also played a few parties and also school dances in conjunction with a local girls high school.
Matt Allison (Guitar, Vocals), Noise Levels correspondence, 2025
 
DARREN: Our first show was a local talent quest. I'd say it was a nervy experience but one that we looked back on as a blast once it was over.
Darren McNamara (Bass, Vocals), Noise Levels correspondence, 2025
 
Marty and Emu
 
DAVID: There was a performer back in the day, a children's duo called Marty and Emu. Anyway, he was compere for the talent quest we played. He was a TV star on a morning kids show, but away from the camera he was a cranky old drunk. Anyway, we were backstage and he kept going and doing his bits on stage and would then come off and go straight downstairs to stay lubricated. I'm pretty sure it was Matt Nash who made some smartass remark as Marty was walking downstairs... something about violating the emu. Anyway, Marty hears it and comes back, asks 'Who said that?' and then just punched Matt Nash in the face. Nose bleed and everything. It was surreal. Like, hang on... this is Marty from TV?? Anyway, Marty's manager freaked out, thinking how is this going to go down, came and apologised to us and said Marty was having a bad day and that he gets very sensitive about the Emu. He wanted to give us free tickets to Miss Marilyn's Super Flying Fun Show (another kids TV show). True story - couldn't make this shit up.
David Bulmer (Vocals), Noise Levels correspondence, 2025
 

 
MATT: We didn't make our first record until 1986 when we were in Year 12. There was a small recording studio in Kogarah called Axent, run by a blind guy named Ross McGregor. We recorded 4 original songs and self-released them as a 7" single called Put Out the Trash the same year. It did okay. I think we pressed up 500 and eventually got rid of them all and it made the lower reaches of the alternative charts despite scathing review from local stree press which described the drums as sounding like a pot plant being hit with Chiko rolls! Haha. 
Matt Allison (Guitar, Vocals), Noise Levels correspondence, 2025

DARREN: We didn't have a record label so arranged the recording of our first 7" ourselves. We had to beg, borrow, and steal to pay for the recording and production. We were only 17 and still at school so it felt like a big achievement at the time.
Darren McNamara (Bass, Vocals), Noise Levels correspondence, 2025

NEWS ARTICLE: A track off Put Out the Trash was included on an Australian compilation album, Big Backyard, along with bands such as Midnight Oil and the Go Betweens, but the band's progress was temporarily delayed and live performances minimised because of age restrictions, the HSC and few musical instruments after someone 'borrowed' them after a gig.
 Unknown Local Paper, c. 1989

MATT: Shows were mostly in the St George and Sutherland Shire at first plus the occasional inner city gig. Mostly we did support slots with some of our favourite bands at the time including Happy Hate Me Nots, The Hard-Ons, Toys Went Beserk, The Trilobites, and many more. We did the occasional tour to Melbourne and Brisbane too. In 1988 we released a 10" EP, Teenage Dreamers, on Mr Spaceman Records out of Melbourne, so we were labelmates with Cosmic Psychos for a while! Playing shows in the '80s was different as we were still teenagers and pretty green. Back then if you did a gig with a well-known headliner, you were sometimes expected to help lug the PA in and out of the venue before and afterwards and would still end up with a measly $100 at the end... to split four ways. Almost child labour in retrospect! By the '90s we were a little more savvy with the money side of things. 
Matt Allison (Guitar, Vocals), Noise Levels correspondence, 2025
 
 
 
MATT: In 1989 we self-released a 7" single Crystal Girl, distributed by Waterfront Records. That got into the deeper end of the alternative charts and it was our busiest year doing local gigs and a fairly extensive East Coast Tour. The B-side was produced by Rob Younger (Radio Birdman), can't remember why, but the A-side wasn't working out with Rob, so we went to Trafalgar Records and re-did it ourselves with Alan Thorne on the knobs.
Matt Allison (Guitar, Vocals), Noise Levels correspondence, 2025

MATT: Sometime in the late '80s we played a gig at Max's in Petersham. A band from Fairfield called The Pyramidiacs were also on the bill and we realised we had very similar taste and from that point onwards became great mates, a friendship that continues to this day. Their drummer Mick Baty (AKA Mickster) ended up playing with us in our latter days. Mick also played in The Crusaders and the three bands did a few East Coast jaunts which were dubbed 'The Magical Mickstery Tour'.
Matt Allison (Guitar, Vocals), Noise Levels correspondence, 2025
 
MICK: They were looking for a drummer, and I recommended (foolishly) a guy I knew who was looking to join a band. So I introduced them, they rehearsed for six months, played one gig, and then he quit. So I said to John Vittorio that I'd fill in until they found a full time replacement. I stayed with them for two to three years.
Mick Baty (Drums), Noise Levels correspondence, 2025


MATT: A full length album was released on CD by Zero Hour Records in 1992, called The Big Black Bug. It was our final released, although we still played around until we laid it to rest in 1994. We were still mates and are to this day, but I guess we wanted to move on. I'd started Lawnsmell as I was keen to play something harder and faster ala The Hard-Ons, Descendants, etc. Johnny V and I also started Epstein with Mickster and Bob from The Pyramidiacs around the same time and, musically speaking, this was pretty much a continuation of The Slaters.
Matt Allison (Guitar, Vocals), Noise Levels correspondence, 2025

RELATED BANDS: The Pyramidiacs, The Crusaders, Epstein, The Finkers, Lawnsmell, Spurs for Jesus, The Hecklers, The Devil May Care, Showpony, High Horse, The Hazlewoods, The Sleazybeats, The Exile Co., MD Horne's Last Call, Pete Ross and the Sapphire, The Jane Does, The Sushi Taco Allstars, Cheesy Chunks in Your Ear, The Slack Arsed Moles, Casino Evil, Loz Vegas and The High Rollers, Jason and the Ashfield Scorchers, The Fiction, Lords of Gravity, Stoneage Hearts, Beat Taboo, Kreep 500, Danny McDonald, Dom Mariani
 







 

Thursday, February 20, 2025

Matt Allison


Matt Allison

BANDS

  • Sydney Marist Singers (1979-1980) - Vocals
  • The Slaters (1983-1994) - Guitar, Vocals
  • The Oxydogs (1990) - Guitar, Vocals
  • Lawnsmell (1991-1997) - Guitar, Vocals
  • Lawn (1992) - Guitar, Vocals
  • Epstein (1996-1998) - Guitar, Vocals
  • Spurs for Jesus (1995-Current) - Guitar, Vocals
  • The Hecklers (1997) - Guitar, Vocals
  • Sandy Crack and the Red Sacks (1998) - Guitar, Vocals 
  • Cheesy Chunks in Your Ear (1998) - Guitar, Vocals
  • The Devil May Care (1998-2002) - Guitar, Vocals
  • Showpony (1999-2001) - Guitar, Vocals
  • The Finkers (1999-2005) - Guitar, Vocals
  • Loz Vegas and The High Rollers (2000) - Guitar, Vocals
  • High Horse (2000-2002) - Guitar, Vocals
  • The Slack Arsed Moles (2001) - Guitar, Vocals
  • Jason and the Ashfield Scorchers (2002) - Guitar, Vocals
  • The Hazlewoods (2003-2007) - Guitar, Vocals
  • Miranda Boyz (2005-2011) - Guitar, Vocals
  • The Sleazybeats (2006) - Guitar, Vocals
  • The Exile Co (2007-2014, 2025-Current) - Guitar, Vocals
  • Casino Evil (2010) - Guitar, Vocals
  • Footpath (The Australian Pavement Show) (2015) - Guitar, Vocals 
  • 50 Pacer (2017) - Guitar, Vocals
  • Pete Ross and The Sapphire (2021-Current) - Guitar
  • MD Horne's Last Call (2022-Current) - Guitar
  • The Jane Does (2022-Current) - Guitar 
  • The Sushi Taco Allstars (2024-Current) - Guitar

STUDIO/LIVE GUEST APPEARANCES:

  • Neil Hamburger
  • The Booby Traps
  • The Rosemarys
  • Laura Imbruglia
  • Peter Black
  • Soap Star Joe
  • Erik Voeks (USA)
  • The Pyramidiacs
  • Jason Ringenberg (USA)
  • Katie Brianna
  • The Hometown Wranglers 
  • Brown Sabbath

REGION: Sydney, NSW

Sunday, May 19, 2024

Lawnsmell

ORIGINS: Sydney, NSW
GENRE: Punk
YEARS ACTIVE: 1991-1997
 
MEMBERS:
RELEASES: 
  • Demo (1993) - Download Here.
    • 1. Androgynous
    • 2. Porch People
    • 3. Laundry Boy
    • 4. Hurt Me

  • Self-Titled 7" (1994) - Download Here.
    • 1. Melts Away
    • 2. Cleveland
    • 3. My Mate
    • 4. My T-shirt
    • 5. Vegie Meat
    • 6. Fine

  • Demo (1994)
    • 1. Melts Away
    • 2. Cleveland
    • 3. Left Behind
    • 4. Midget
    • 5. Warmf


  • De-Sexed (1995) - Download Here.
    • 1. Left Behind
    • 2. Love
    • 3. Warmf
    • 4. Green Teeth Kiss
    • 5. M!dget
    • 6. Warmf (Reprise)
    • 7. Melts Away
    • 8. Cleveland
    • 9. My Mate
    • 10. My T-Shirt
    • 11. Vegie Meat
    • 12. Fine
    • 13. Birthday
    • 14. Androgynous
    • 15. New School 


  • That's Not All You Can Smell (1996) - Split with All You Can Eat
    • 1. A.Y.C.E.
    • 2. Fight or Flight
    • 3. Lose It All
    • 4. I Don't Wanna Talk About It
    • 5. I'm Gone
    • 6. ...Easier


  • Self-Titled (1997) - Split with No Reason
    • 1. Bottom of the Sun
    • 2. Merciless
    • 3. Why Quit
  • Compilation-only Tracks - Download Here and Download Here.
    • Cicada (1995) - on Jerky (Purr-Zine compilation)
    • Punk Police (1995) - on Half-Life (Serum Records compilation)
    • Could've Been Anyone (1995) - on Star Trackers compilation
    • Keep the Beat (1995) - on Neoteny 2 compilation
    • Lose It All (1995) - on Neoteny 2 compilation
    • Drew (1995) - on Keep On Babble On (Oxford Radio compilation) 


  • Lawnography (2008) - Discography Album
    • 37 songs drawn from all the above releases.

SUMMARY: Lawnsmell began when a group of friends decided to put a band together after attending a punk show at the Phoenician Club in the early '90s. Their first drummer exited after one show and after this point the lineup solidified and remained the same for most of the band's time, except for part of 1994 when drummer Derek was doing his HSC (leading to a fill-in drummer, Nick Leach). The band released four key releases after some demos - a self-titled 7", an album, and two split releases with other bands. During the early to mid-90s the band played regularly in the Sydney punk scene and also toured Melbourne, Brisbane, Newcastle, Wollongong, etc. By 1997 things had run their course and members were ready to move on.

SHOWS: 
1994, taken from Loaded to the Gills Issue 5

ORAL HISTORY:
MATT: I met Gina at high school at Kogarah in 1986. Two years later she went to art school and met Glenno, who had moved to Sydney from Orange. 
Matt Allison (Guitar), Noise Levels correspondence, 2024
 
GINA: First day at COFA Art School uni, Glenn tapped me on the shoulder and asked about my T-shirt. It was a Descendants shirt and he had no idea who they were. He was 18 and I was 21... I felt pity for this cute country kid so I mad him a mix tape. We became best friends from that day. Swapping tapes, going to cool gigs, and we decided to form a band. 
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024
 
GLENNO: We decided to get a band together at the All gig at the Phoenician Club. The idea was very naive... no plain. Just a band and see what happens. Gina and I both played bass so we had two bass players. No reason other than we had two bass players that wanted to be in a band together. We had no clue, we had no shame.
Glen Smith (Vocals, Bass), Noise Levels correspondence, 2024

GINA: I already had the name Lawnsmell as I love the smell of freshly cut grass. We both played bass so we thought, fuck it, let's have two bassists. Glenn played with his fingers and did the tricky bits and I did the heavy thumpybits. It was easy really - we loved writing songs together they would make us laugh. 20 years later I married him.
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

From Drum Media, January 1993

MATT: We all liked a wide range of music but we all loved melodic punk bands like The Hard-Ons and Descendants, so we decided to form a band to play this kind of music... We roped in Craig Jackson to play drums. He only stayed for our first gig then moved on.
Matt Allison (Guitar), Noise Levels correspondence, 2024

GLENNO: Our first show was the Lewisham Hotel Birthday Party with Casualty, Persecution, Sugar Daddies and us. It was my first proper stage. The sound guy kept telling me to get closer to the microphone when I sang. I didn't like what I heard so I kept stepping back. It was naive to the point of comedy. Naive is a strength in punk rock... it can't be faked. If your songs are strong and your technique questionable - it's a unique blend. That's what we had... and had a great time being nervous. People liked our honesty and our inclusive band culture. We were very casual but we were sometimes quite fast and heavy. 
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024

GINA: Our first show... I was scared and very green. I would always - and still get - nervous. It was a party so people clapped that night and seemed to enjoy us, and that was that. We continued played with great frequency after that. It was more my thing than my last band, The Rosemarys, and I finally felt part of something I loved. Being in Lawnsmell was a hoot! I met the most amazing friends and played with some of my teenage-favourite bands like The Hard-Ons and Radio Birdman. All was the most exciting for me, we played with All twice. Hellmenn also blew me away. 
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

MATT: We found this young guy named Derek Alley. He was still in high school at the time and after he joined the lineup remained unchanged until the end. 
Matt Allison (Guitar), Noise Levels correspondence, 2024

DEREK: The band was already in motion when I joined. I believe they played some gigs with Craig before that. I shopped at Soundgarden Records in Hurstville and started talking with Gina when she was working there one day. I mentioned I was a drummer and we organised a jam. My first show was at the Petersham Inn with other bands that were friends with Lawnsmell. I was 15 and could only drink water or soft drinks... 
Derek Alley (Drums), Noise Levels correspondence, 2024
 
Advertisement, Noisecrash Issue 3, November 1995
 
MATT: The 7" came out early June. So far it's sold really well, we've almost sold out of the initial 500 pressing... I haven't sent many out to radio stations yet, although we just did an interview on Sydney public radio station 2SER! 
Matt Allison (Guitar), TMT Issue 18, 1992-1996.
 
GINA: I wanted to call the band Bluish-Greenish at first, but none of the others came round... so we called our record label Bluish-Greenish. And being our label we were pretty disappointed that we could only get purplish-pinkish vinyl... I'd like to get some demos from young bands if they want to send me demos.
Gina Monaco (Vocals, Bass), Loaded to the Gills Issue 5, July/August 1994


MATT: Our sound is a bit unconventional in the sense that we have two bass players a lot of the time. And also, Glenn tends to play a lot of the lead guitar bits on the bass, where as I tend to just fill the sound out more. But I don't know; it's hard to be objective about your own band... but hopefully it's a big sound. There's plenty of that, without sounding like Kyuss. There's a fair bit of bottom end. We're sick of bands tuning down. I think we tend to be on the more melodic, poppier side of hardcore or whatever you want to call it - I think as a reaction to a lot of the slow, grungey kind of stuff. We're more influenced by bands like All, the Descendants - just really short quick songs that don't get you bored.
Matt Allison. Loaded to the Gills Issue 5, July/August 1994

GLENNO: We played the Vulcan Hotel, Feedback in Newtown, The Den in Penshurst, the Lansdowne, Hornsby police boys Cosmic Snail shows, Max's in Petersham, the Bat and Ball, Evil Star, the Metro, Selina's, Wanda Surf Club, Maning Bar, Bondi Pavilion... there were dozens of Sydney venues and we played with tons of overseas touring bands. We were Sydney's greatest support band and we didn't really fit into any pigeonhole. Back then, mixed bills were very common. It wasn't so specific, incestuous and generic... like the hardcore scene. It was friendly and bands didn't try to fit in. The opposite was true. We couldn't play punk rock by numbers because I didn't know the numbers to emulate. I let songs appear to me and never overthought it... We got really good at whatever it was we were doing. Played with some real legends and always felt fine feeling like outsiders and pretenders. People saw great things in what we did when we couldn't see it ourselves. We just loved doing what we did. These days I know what's what but I was living a povvo life, in a romantic time, and just loved doing it. I had no ambition or attitude. I was a country kid just doing it. What I had dreamt of. Punk rock, D.I.Y., my needs were few and I had some great friends to adventure with.
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024
 
MATT: The ALL gig was a dream come true - they're our all time heroes! It was our favourite gig for obvious reasons. We play on average once a week or fortnight. We have a little bit to do with No Deal, which is basically a guy named Sean (ex-Toe to Toe, now Downtime) and he's one of our biggest supporters. He's expressed interest in recording us for his label but was pretty busy so we just went ahead and did it ourselves. We played on a few No Deal bills.
Matt Allison (Guitar), TMT Issue 18, 1992-1996.
 
GINA: We learnt things along the way. Especially for me. I slowly became a better bass player with all the gigs we did. We were lucky to have gigs thrown at us back then. We were lucky and very green back then.  
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

GLENN: Gina plays the meaty bits and I play the vegetables and desert... Matt's got the guitar well and truly covered.
Glenn Smith (Vocals, Bass), TMT Issue 18, 1992-1996.

DEREK: Playing with two basses was as easy as playing with one. You get used to it very quickly. It was a bassalicious eight note foundation to layer melodic syncopation over.
Derek Alley (Drums), Noise Levels correspondence, 2024


GLENNO: I changed from Glenn Smith to Glenn Lawnsmell. I also started to draw a lot more obsessively and that drive has only accelerated with each year. The D.I.Y. ethic and punk community lent me enthusiasm and tools to organise my efforts. The scene was also full of brilliant friends that remain to this day. The punk scene especially was not 'easy' then. People got yelled at by cars full of 'normal' yobs. Newtown was full of impoverished students and freaks. It was affordable and dangerous. Brilliant.
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024

GINA: If people want to hear certain songs they'll yell 'em out. We usually end up playing those ones anyway. We keep them in the set list 'cause, you know, the kiddies like them.
Gina Monaco (Vocals, Bass), Loaded to the Gills Issue 5, July/August 1994

GLENNO: The band's lineup didn't really change. We had Derek on drums but in the semifinals of a band comp at the Vic on the Park he was a no-show due to glandular fever. We grabbed a guy we knew from the crowd who could play drums. His name was Nick Leach, he didn't know our songs... and we won. The crowd wanted it to work and we gave descriptions of the song to him on stage and told him to look to me for any changes at the start of each song. Both the band and the crowd were hoping for the best and it was great. We ended up winning that night and then the final too. We won some recording time but I don't think the recording ever got a release. We did it with Nik on drums. 
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024
 
MATT: We won a band comp - y'know, big deal - we had to play there three times and we got $200 for three shows. We were supposed to get an article in On The Street, which didn't happen - we got a few lines. We're s'posed to get future gigs at the Vic on the Park, which didn't eventuate. Band comps are a big joke. I s'pose they're got a purpose for bands who just want to play and get out there, but they're a real rip-off.  
Matt Allison. Loaded to the Gills Issue 5, July/August 1994
 
GINA: When I was 24, my first school I taught at had this kid in Year 12... we got that kid's band, Gilgamesh, heaps of shows with us. Later that kid became a Lawnsmell fan who used to make his own Lawnsmell T-shirts, and he later married my friend's sister. Now he is in the bass player in my current band, Hellebores.  
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

Loaded to the Gills Issue 5, July/August 1994
 
GLENNO: We did a handful of songs at the end that I really like. Those songs were our side of a split record with San Francisco's All You Can Eat - a band I am still in contact with in its many splintered groups. Gina and I got married in San Francisco with all that lot officiating in Golden Gate Park. I listen back on those songs and see where my music now has come from. It was a warm up for Chinese Burns Unit, Outcest, and Hellebores. Lawnsmell was a bit of fun that got out of hand. We played 200 plus gigs in the 4 or 5 years we played. 
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024
 
REVIEW: What can I say but bloody excellent. The Lawnsmell songs are some of the best I've heard, especially 'Lose It All'.
Review of the Split w/ All You Can Eat, Bastard Child Zine, 1999

GINA: The highlight of the band for me was playing with Glenn... he was my best friend and was a hoot to be around. We laughed at ourselves constantly. We wrote silly songs about crazy things that happened to us or what we observed... and still do. I need him to write songs; he takes my lyrics and turns them into magic. Sometimes I go to him with a tune, he plays a few riffs on his guitar, and like that there is a song. We still spend our Friday nights writing songs. I also look back at the all the cool friends we made and still keep in contact with. 
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

MATT: We ended around '96. I was the first to jump ship, thought we were going round in circles and I was into lots of different music, so I was keen to move on. We remained friends though, and still are.
Matt Allison (Guitar), Noise Levels correspondence, 2024

GLENNO: Lawnsmell came to an end when it was becoming less fun. Gina and guitarist Matt were going out with each other and that finished but the band kept going. The magic sort of evaporated and I found I was trying too hard to keep the momentum up. We are all still friends and it's the ideal way to call it quits. 
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024

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