Showing posts with label Glenn Smith. Show all posts
Showing posts with label Glenn Smith. Show all posts

Tuesday, January 20, 2026

Glenn Smith

Glenn Smith

BANDS:

  • Lawnsmell (1991-1997) - Vocals, Bass
  • Fatigue (1997) - Bass [Live Fill-In]
  • Stitchface (1998-1999) - Bass
  • Splatterheads (2010) - Bass [Live, Reunion shows only]
  • Chinese Burns Unit (2010-Current) - Guitar, Bass, Vocals
  • Hellebores (2020-Current) - Guitar
  • Outcest (2022-Current) - Bass, Guitar
REGION: Sydney, NSW

OTHER:
  • Glenn is also renowned as an artist and has contributed to many, many flyers and band artworks. 
  • Record label: Bluish Greenish Records.
  • Glenn has made several zines, predominantly in the 1990s. 

Wednesday, December 31, 2025

Glenno Smith zines

LOCATION: Sydney, NSW
GENRE: Punk, Art, Music
YEARS ACTIVE: 1994-2002
NUMBER OF ISSUES: At least 4 or 5 of Scrollburger, at least 1 of Necrotardation 
ISSUES IN THE NOISE LEVELS ARCHIVE: Issue #1 of Necrotardation 
EDITOR: Glenn Smith



Issue 1 - January, 2000
NOTES: This is a unique combination of comic, fictional band, and collaborative music combination between Sydney bands
FEATURES CONTRIBUTIONS OR INFO ABOUT: Biceptasaurus, Brain Resin, Stitchface, Identity Theft, Ghetto Blaster

If you have any additional information about this zine or can photograph/scan/digitise copies to send to me for the archive, please comment below. 

Thursday, December 5, 2024

Fatigue


ORIGINS: Campbelltown, NSW
GENRE: Punk, Alternative
YEARS ACTIVE: 1992-2005
 
MEMBERS:
  • Sean Flynn - Vocals
  • Kieran De Silva - Bass (1992-1997, 1998-2000)
  • Adam Audley - Guitar (1994-2005)
  • Rob Chamberlain - Drums
  • Juzzo - Bass (2000-2004)
  • Mick Romeo - Bass (2005)
  • Glenn Smith - Bass (1997) [Fill-in]
RELEASES: 
  • Demo (1993)

  • EMI Demo (1993)

  • Falling On My Keys (1999)
    • 1. Falling on My Keys
    • 2. Chevy's
    • 3. Ram Chandra
    • 4. Quietus (demo version)
    • 5. Unified Punk Theory (demo

 

  • Dizneeland (1999)
    • 1. Dizneeland
    • 2. Bite (Tandoori Todger Tickler Mix)
    • 3. Bite (Demo version)
    • 4. Shorts (Spazz-Core Remix)
    • 5. Three on the Shelf


  • Does Anybody Want Anything Down the Shops? (2001) - Download Here.
    • 1. Teevee
    • 2. Falling On My Keys
    • 3. Dizneeland
    • 4. Froghurt
    • 5. Shorts
    • 6. Carrot Stomach
    • 7. Klunk
    • 8. Beer Off the Ground
    • 9. T.N.V.N.
    • 10. The Empty Space (in Rob's Emotional Chip Packet)
    • 11. Down the Shops
    • 12. Whack Shit Mofos
    • 13. Motions
    • 14. Gimme Gimme
    • 15. Chevys
    • 16. Ram Chandra
    • 17. Rock Stars
    • 18. Bite
    • 19. Cuniform
    • 20. We Pray
  • Demo (2003)
SUMMARY: Fatigue started as a high school band in the early '90s under the name 'Metal Fatigue'. After recording a demo and playing All Ages shows in Southwest Sydney, the band managed to get their demo in front of the label EMI, who commissioned a second demo, but this did not lead to a formal signing with the label. Dropping the 'Metal' from their name, Fatigue were picked up by Lisa Willows, who managed the band over the rest of the decade as they began touring relentlessly and worked towards recording their album Does Anybody Want Anything Down the Shops? Along for the ride also was sound engineer / tour manager Dan Lia, who later took over management of the band towards the end of their run. Ironically, the band began to experience their own sense of fatigue after playing hundreds of shows in just a couple of years and their output slowed in the '00s until they finally called it a day sometime around 2005. 
 
SHOWS: 
  • Agincourt Hotel, Sydney - 29th June, 1996
  • Annandale Hotel, Annandale - Tuesday, 21st January, 1997
  • Bundeena Public School, Bundeena - 3rd May, 1997
  • Southern Cross, Brisbane (QLD) - Thursday, 17th February, 1998 
  • Lewisham Hotel, Sydney - Thursday, 19th March, 1998
  • Civic Centre, Campbelltown - Friday, 4th June, 1999 
  • Green Square, Zetland - 3rd July, 1999
  • Iron Duke, Alexandria - 16th July, 1999
  • Caringbah Bizzos, Caringbah - 22nd October, 1999
  • Wollongong University, Wollongong - 28th October, 1999
  • Ambarvale Youth Centre, Ambarvale - 29th October, 1999
  • Harbour Cruise, Sydney - 30th October, 1999
  • Unknown Venue, Campbelltown - 6th November, 1999 [Day Show]
  • Long Jetty Hotel, Gosford - 6th November, 1999 [Night Show]
  • Iron Duke, Alexandria - 7th November, 1999
  • Warrimoo Citizens Hall, Warrimoo - 13th November, 1999
  • The Alex, Leura - Friday, 10th December, 1999
  • Iron Duke, Alexandria - 18th December, 1999
  • Green Square, Zetland - 23rd December, 1999
  • Iron Duke, Alexandria - 23rd January, 2000
  • Woden Youth Centre, Canberra - 4th February, 2000
  • Iron Duke, Alexandria - 23rd February, 2000
  • Downstairs, Maroubra - 10th March, 2000
  • H2Whooooo Music Festival, Blacks Beach, Kiama - Saturday, 11th March, 2000
  • Prank Fest, Civic Centre, Katoomba - Saturday, 1st April, 2000 
  • Oberon Showground, Oberon - Sunday, 2nd April, 2000
  • Flat Earth 2000 Festival, Deniliquin - Saturday, 8th April, 2000 
  • The Alex, Leura - 24th April, 2000
  • Maroubra Junction Hotel, Maroubra - 26th April, 2000
  • Green Square, Zetland - 27th April, 2000
  • The Alex, Leura - Friday, 28th April, 2000
  • Bat and Ball, Surry Hills - 29th April, 2000
  • Blaxland Tavern, Blaxland - Thursday, 18th May, 2000
  • Daily Planet, Penrith - Friday, 2nd June, 2000 
  • Green Square, Zetland - 3rd June, 2000
  • Iron Duke, Alexandria - 9th June, 2000
  • Grounded Festival, Museum of Fire, Penrith - 17th June, 2000
  • Caringbah Bizzos, Caringbah - 28th July, 2000
  • Gurwood Street Project Space, Wagga Wagga - Saturday, 29th July, 2000 
  • Panthers Leagues Club, Penrith - Friday, 4th August, 2000
  • Prank Fest 2, Civic Centre, Katoomba - Saturday, 26th August, 2000
  • Kelts Bar, Blaxland - 22nd September, 2000
  • Refectory, University of Canberra, Canberra - Wednesday, 18th October, 2000
  • Atrium, Macquarie University, Epping - Thursday, 19th October, 2000
  • Sutherland Entertainment Centre, Sutherland Shire - Friday, 20th October, 2000 
  • Daily Planet, Penrith - Friday, 1st December, 2000
  • Kelts Bar, Blaxland - Saturday, 24th February, 2001
  • St Ives Youth Centre, St Ives - Friday, 9th March, 2001 
  • The Palais, Newcastle - Saturday, 10th March, 2001
  • Parramatta PCYC, Parramatta - Sunday, 11th March, 2001
  • Ulludulla Youth Centre, Ulludulla - Sunday, 18th March, 2001
  • Prankfest, Springwood Train Station, Springwood - 12th May, 2001
  • Iron Duke Hotel, Alexandria - Monday, 16th July, 2001
  • Time and Tide Hotel, Dee Why - 20th July, 2001         
  • Annandale Hotel, Annandale - 18th October, 2001                                                       

ORAL HISTORY:
ROB: I was in the grade above the other guys in high school and there were bands thrown together all over the place. We were all in a Bulgarian choir too. I'm not sure how we eventually locked in, but I knew Sean could sing and play guitar really well for a 14 year old and I think I may have suggested having a rehearsal with him and Kieran. By '93 we'd recorded a demo and then Adam joined shortly after. 
Rob Chamberlain (Drums), Noise Levels correspondence, 2024

ADAM: Sean, Rob, Kieran and I all went to John Therry College in Campbelltown. We were in various bands at the school and in exchange for using the school's equipment and music room, we were all balckmailed into join the the school Baroque Chamber Choir together. The band was originally called Metal Fatigue and probably started around Year 9.
Adam Audley (Guitar), Noise Levels correspondence, 2024

ROB: Our first show was probably a school festival. We played at Australia's Wonderland early on. Occasionally, I'll find old photos of us playing on a stage in front of a tall ship. Kieran was playing sax in the school band that day too and missed his performance because he was waiting in line for The Demon (a rollercoaster).
Rob Chamberlain (Drums), Noise Levels correspondence, 2024

ADAM: Our musical interests at that time really varied and personally I was into lots of different genres from rap/hip-hop to metal and punk. I've always had an appreciation for pop music and most our live shows featured some sort of pop song blended into one of our breakdowns. I always remember the look on people's faces of either joy or horror when we burst into a verse of Craig David or Destiny's Child in the middle of a song. As a group though we liked tight technical music. We grew up on the big metal bands and the '90s grunge movement. Specific to our sound though, we were directly inspired by our common love of late '90s and early 2000s punk and hardcore; NOFX, Propagandhi, Sick of It All... so many bands, I could go on forever.
Adam Audley (Guitar), Noise Levels correspondence, 2024


ADAM: There was an underage club in Campbelltown in the '90s called Quadrophonic. It was run by Daniel Courtney and was the most amazing thing for kids like us who loved heavy music. I don't think we even realised how lucky we were to have this at the time in our area. We played at Quadrophonic many times and Daniel introduced us to Lisa. At the time Lisa was managing Deni Hines and Marcia Hines, and then she became our manager. We were 16 and hanging out with these girls in their 20s who were in the music industry and they could get us into metal and goth clubs in the city. It was awesome. Anyway, Lisa had contacts at EMI. Our first demo sounded a bit like Silverchair and, I think because EMI had missed out on Silverchair, they liked the demo as we were in the same ballpark. 
Adam Audley (Guitar), Noise Levels correspondence, 2024

LISA: I first discovered Fatigue when my band played with them at an All Ages nightclub in Campbelltown called Quadrophonic. At the time, I had a small management company called Clockwork Management with my friend Julie, and we managed a few bands. We were always on the lookout for emerging talent and Fatigue definitely stood out. Their energy and potential was undeniable, and it wasn't long before we started working together. It's funny how the connections in those early days can shape the path ahead!
Lisa Willows (Manager), Noise Levels correspondence, 2024

(Left to Right), Lisa, Rob, unidentified person

ROB: We quickly changed our name from Metal Fatigue to just Fatigue before recording our first demo. The first demo sounded like a cross between Silverchair and Green Day and it got us a meeting at EMI, which we proceeded to fuck up by using their money to make a terrible recording of our fastest pop-punk tunes for them. We were not to be the next Silverchair after all, haha. Lisa had picked us up as our manager and she did a great job of getting our songs in front of people.
Rob Chamberlain (Drums), Noise Levels correspondence, 2024
 
ADAM: EMI put a publishing deal in front of us and we went to Troy Horse Studios in Redfern to record and that's when Lisa introduced us to Dan Lia. I'm pretty sure we recorded 2 to 3 songs. One of them was probably 'Elastic Man'. EMI hated all of these songs and they immediately stopped talking to us. To be honest, that's when our band actually started in my mind because that's when we started playing and writing music we wanted to play.
Adam Audley (Guitar), Noise Levels correspondence, 2024
 
LISA: What I liked most about the band, beyond the fact that all the people involved were amazing, was their undeniable talent and love of music. They had great songs, and what really stood out was their potential. At just 15 years old, they were like a clean slate - eager, open, and ready to create something special.
Lisa Willows (Manager), Noise Levels correspondence, 2024
 
DAN: I met them at a show. I think I was mixing the sound for Frenzal at the time and I'm fairly sure Lisa introduced them to me as we were dating and she had discovered them. I was totally blown away. They were young and full of punk energy. They had great songs full of intelligent, controversial, and funny lyrics. Their musical talent was above their age and they played like they'd been playing for years, entertaining and pulling in the crowds. I really wanted to record them and from that point I was their live engineer and the studio engineer and tour manager and co-manager with Lisa Willows.  
Dan Lia (Tour Manager/Sound Engineer), Noise Levels correspondence, 2024
 

 
ROB: By the time EMI 'pased' on the second demo, I think we were already playing All Ages shows in Campbeltown at different civic centres, house parties, the Festival of Fisher's Ghost, etc. We even bought a small PA and played the Appin Pub once. It was full of artificially aged regulars who acted like they'd never seen a live band before. They were like angry zombies. We were also still playing pubs in the city while we were in high school - Collectors Tavern, Agincourt Hotel, Feedback. We had to have an adult with us for those.  
Rob Chamberlain (Drums), Noise Levels correspondence, 2024
 
ADAM: We were all very close friends and we hardly ever had any issues. There is definitely a different connection that comes through playing together in a band. We are all still great friends. 
Adam Audley (Guitar), Noise Levels correspondence, 2024
 
LISA: In the '90s, the Australian music industry was a different space - less convoluted and less saturated than it is today, so it wasn't that hard to get the band in front of the right people. The band was signed locally to Pacemaker Records who had the Presidents of the United States, and they were signed internationally as well, finding an audience in Japan via Sky Tower Records. What was truly challenging for Fatigue wasn't getting in front of the right people but rather finding an audience and carving out a clear space within the market. Their unique blend of thrash, pop, and punk made it difficult to fit into a specific genre. Old school punk bands often saw them as too 'pop' or 'too rock' for their scene, while rock bands considered them too 'punk' to add to their bills. Despite this, Fatigue found themselves able to support a diverse range of acts, from Millencollin to Grinspoon, as they navigated the complexities of their emerging sound. I always felt they were ahead of their timer and if they had formed a decade later they would have found their audience.
Lisa Willows (Manager), Noise Levels correspondence, 2024


ROB: Once we turned 18 and could drink at the venues, things get a little blurry in terms of my memory. From around 95 to 98, I can remember just bits and pieces. We did a lot of local shows initially with bands like Stinkbug, Turtle Slime, Lawnsmell, and Ballpark. We headed up the Blue Mountains a lot. North Coast, Central Coast, South Coast. We played a huge punk festival in Kiama. Played a lot of shows with the sweet boys from Topnovil - Wollongong had a great scene back then! Kieran took some time off around '97 and Glenno (Lawnsmell) filled in for a few gigs on bass.
Rob Chamberlain (Drums), Noise Levels correspondence, 2024
 
GLENN: I did the art for the album. My friends managed the band and they were great. Young and from Campbelltown. Good songs that worshipped Frenzal Rhomb. Kieran the bassplayer couldn't do a few gigs so I was asked to help. And I did. Really lovely bunch of dudes.
Glenn Smith (Bass), Noise Levels correspondence, 2024
 
ROB: We never sold our demos at our earlier shows. We didn't even sell merch until we went on tour around 99-00. We had about 30 songs to choose from by the time we did our album and we were regularly trying new songs out. I think we wanted enough to cull down the album to about 12 or 15 tracks, but everyone seemed happy with around 20 songs. There was a guy named Nick who had access to a studio out in the industrial area of Ingleburn. We spent a good few weeks there; every day we could. It gave us time to do a little experimentation. I think we just had a whiteboard and everybody ticked off their parts. It was a fairly straight forward process.
Rob Chamberlain (Drums), Noise Levels correspondence, 2024
 
 
ADAM: We recorded the album at a studio in the Minto industrial area It was above a plastic manufacturing plant. I can still remember the smell of the plastic, haha. Recording was about a month off and on. It was a lot of fun. Nick (the studio owner) was very generous and we became quite good friends. I took his motorbike for a spin and ended up crashing it into a pile of wooden pallets in the car park. He was very nice about it. We also ended up driving Sean's Barina into the factory downstairs and getting vocal mics inside it. We recorded a few vocal tracks inside the car. We called the album Does Anybody Want Anything Down the Shops because we all decided it was an underrated classic Aussie line.
Adam Audley (Guitar), Noise Levels correspondence, 2024
 

DAN: We recorded Does Anybody Want Anything Down the Shops at my friend's studio in Minto. It was above his dad's factory in an industrial area and it took about a week for me to record and mix it. Rob nailed all the drums in 2 days. The rest of the boys smashed it out too - bass, guitars, vocals. Mixing the album was all hands on deck, with some tracks having all of us on the faders turning things up and down as there was no automation back then. It was a real team effort.
Dan Lia (Tour Manager/Sound Engineer), Noise Levels correspondence, 2024
 
Review, Obzine Issue 5, November 1999
 
Review, Bar Code the World Issue #21, March 2000

ROB: 'Falling on My Keys' was the first (and radio friendly) single from the album. It got played a bit on Triple J. I wasn't really expecting that, so it was a confused feeling of excitement and anxiety - like we might have to take it seriously now. The second single was 'Dizneeland'... I remember being in the van on tour when we found out that the CD also contained a video file of our 'Dizneeland' clip. 
Rob Chamberlain (Drums), Noise Levels correspondence, 2024
 
REVIEW: Fatigue returned to the Alex in fine form. Fatigue are always entertaining and tonight they did not disappoint! Their song Sheeortz may have been the reason they too were told to drop their shorts - and they did. Then Kieran had to play with them at half-mast! (I bet they look forward to more helpful suggestions from Alex crowds!) They played their latest releases - Falling On My Keys and Dizneeland as well as an assortment of their greats! 
Review by Lucinda, show at The Alex in Leura,  Obzine Issue 11, June 2000
 
REVIEW: Fatigue kicked out a tight-as-hell punk rock set filled with favourites like Falling On My Keys. The boys seemed to have fun as a single skanker took the dance floor. Fatigue have a harder edge to their punk and it's an all-i onslaught through their set. 
Review by Mark Alston, show at Blaxland Tavern, Obzine Issue 11, June 2000

ROB: When we released the album we really ramped up the shows and toured. When we played with Millencollin at Sutherland Entertainment Centre, I remember it was the first time seeing a sea of kids all violently moshing to us. We'd play nearly every day. Sometimes twice a day in uni towns. I've heard that we were known that year for playing some ridiculous number, like 240 shows, but the intensity of it really was like a blur. We were a bit exhausted after playing in a band for so long, but it was also pretty gratifying. Being in close proximity with the other guys so much was stanky. And hilarious. Everybody was as funny as they were annoying, so it was a nice balance.
Rob Chamberlain (Drums), Noise Levels correspondence, 2024

Review of Dizneeland single, Obzine Issue 11, June 2000

REVIEW: This band seems to never stop gigging, but were anything but jaded in their entertaining performance. I liked the super-catchy 'Falling On My Keys' and the singer's rock-star sunnies but could have done without the guitarist stripping down to his underwear.
Review of Grounded 2000 by Daniel, Obzine Issue 12, July 2000

ADAM: I loved playing live. We did have a few massive tours with heaps of shows. The one that stands out to me was the tour with The Hassle Brigade. They were awesome guys and it felt like the two bands just blended together. We played a lot of regional shows on that tour so there was a lot of time driving between locations. So we had a lot of time to get to know each other and get up to mischief. There were definitely a few escapes on foot from sirens on the streets of Brisbane. Thank god CCTV wasn't a thing back then! All clean fun though. They were just such a great band and I looked forward to watching them play every show.
Adam Audley (Guitar), Noise Levels correspondence, 2024
 
On tour with The Hassle Brigade

DAN: I drove the 12-seater bus with a trailer. It was a crazy time with the boys finding ways to keep themselves amused while we toured South Australia, Victoria, Queensland. Some years it was at least 100 shows. At one stage the band got a regional touring grant and we played all the small country towns between Adelaide and Queensland. Bringing punk rock to the bush, hahaha. One time we hit a bunch of kangaroos in western NSW in the middle of the Hay Plains in the middle of the night. We'd also been through a locust plague and when we hit the kangaroos everything was smashed in - the bull bar, the headlights, the windscreen - and we drove into Denilquin like that! It was a pretty scary moment. I also remember another time on tour with The Hassle Brigade and ended up singing Queen songs in the middle of the night as we drove towards Queensland. I remember us doing different parts. The Hassle Brigade were a great bunch of guys. Fatigue enjoyed touring with them.
Dan Lia (Tour Manager/Sound Engineer), Noise Levels correspondence, 2024


ROB: The crowd was so wild sometimes. Sean was rocking out at a show with Grinspoon where the security guards needed reinforcements. Phil from Grinspoon had a bottle thrown at him that night. Square right between the eyes like the third eye of Hanuman. Brutal.
Rob Chamberlain (Drums), Noise Levels correspondence, 2024

REVIEW: Fatigue play half-decent Australian punk (as opposed to Frenzal Rhomb who have entered the realm of bland mediocrity with their new single 'War'. How many times does one band need to sing about being punched in the face/beaten up? They're almost getting as bad as American punk. Let's be racist, fuck America. Fuck their culture, their arrogance, their attitude, their ego. Sure I'm generalising and stereotyping but I"m in a narrow-minded mood tonight.) Some of my friends don't like Fatigue but I thought they were alright going off their performance tonight.
Review of show at Kelts Bar by K., Obzine Issue 16, November 2000

LISA: As the band grew up and fully embraced their rock 'n' roll lifestyle, there is certainly no shortage of wild stories to tell - some X-rated, but many more G-rated memories that really capture the chaos that was Fatigue. One unforgettable moment happened at the Iron Duke Hotel when Keiran wired a speaker box himself and it caught on fire mid-gig, causing an evacuation of the venue! A true testament to his punk/DIY attitude. He was also known for playing some university gigs with just a fig leaf covering his privates, or nothing at all, always ready to push boundaries. Another memorable tale was when the guitarist, the only member of the band not nervous before a huge Grinspoon support at Panthers, threw up on stage, much to the delight of the crowd, who serenaded him with chants of "Chucky!" He was a great sport about it, laughing along with the audience. The band had a real-life rockstar vibe that was evident in everything they did.
Lisa Willows (Manager), Noise Levels correspondence, 2024

ROB: We always toured by van. Dan, our glorious and extremely patient tour manager/mixer was blind in one eye. He drove extremely... efficiently. Rare toilet stops and drifting incredibly close behind massive semi-trailers to increase fuel efficiency. We were like a sucker fish attached to a Megalodon at 111 kph. I used to sleep with my head square against the right side back window so that if we had a high speed crash, I would die instantly... While we were on tour we were a menace in terms of disrespecting the road rules. Kieran got arrested in Port Macquarie for saying "aaaah that's fucked" when a cop told us to get off the road. It was very funny. We always
Rob Chamberlain (Drums), Noise Levels correspondence, 2024

LISA: One of the more terrifying experiences came during a tour to Port Macquarie, when we were travelling in a van that had a hole in the exhaust pipe, sending fumes straight into the cabin. We honestly thought we might die from carbon monoxide poisoning. On that same tour, Keiran got tossed into a local jail for 'swearing' at a police officer.
Lisa Willows (Manager), Noise Levels correspondence, 2024


ADAM: We auditioned for the TV show Recovery to be the house band. I thought we were filming the show so I told family and friends we were going to be on TV and then it was some other band. I didn't realise it was an audition. Pretty embarrassing. The upside was that we met Nitocris, who were also on the show, and we ended up playing with them a fair bit after that. The other upside was that, in order to get paid, we had to become employees of the ABC and had to fill out all these forms. One of the guests on the show was Isla Fisher, who was on Home and Away at that point. She was struggling with the form like all of us and turned to me to ask for help. I got really star struck and basically forgot how to speak. Lisa gave me shit about this for nearly 10 years.
Adam Audley (Guitar), Noise Levels correspondence, 2024

Review of album, Obzine Issue 21, July 2001

LISA: There are countless stories - chaotic, hilarious, and unforgettable - each one encapsulating the essence of a band that truly lived their rock 'n' roll dreams. I knew they corrupted some young up-and-comers throughout their time, such as Ballpark. They also did the pilot for the Recovery program and it was thought they get the role of 'house band' but once again, too punk for that.
 Lisa Willows (Manager), Noise Levels correspondence, 2024

ROB: After touring the album we demo'd a few more songs. There were a couple that were really choppy, weird, and heavy - songs I loved, and I still write with that disjointed arrangement style. We had used up all of our holiday leave from work and the thought of going on another tour probably wasn't popular. Rehearsals thinned out and so did writing. We were absorbed back into society. Actually, Kieran probably wasn't absorbed. He might be the only one to have escaped banality. He sadly said his goodbyes after the album tours and we had Juzzo AKA Gus AKA Jizimon AKA Ahh Grey Hams join on bass.
Rob Chamberlain (Drums), Noise Levels correspondence, 2024


ROB: The name 'Ahh Grey Hams'... honestly, it's too nebulous to analyse. Campbelltown slang was such a huge part of the Fatigue vernacular that it often resembled a kind of hobbit language. It had lineages and specific situational context to your previous indiscretions, your social standing, or your booze habits. For example, Kieran wore a mango orange dress shirt at the start of our tour with The Hassle Brigade. Immediately he had his name changed to 'Chutney' - for two years. "Ahhhh Chutters!"
Rob Chamberlain (Drums), Noise Levels correspondence, 2024

ROB: We did a sick last show at the Lansdowne. We fucked around for years not really playing and then did that show out of the blue around 2005. For the last couple of shows our good buddy Mick brought out his 5-string bass; he closed out that massive last show. We finished with a new super heavy song. I remember getting to the last couple of parts of that song and thinking, okay, this is starting to click in again. I'm gonna come back to this.
Rob Chamberlain (Drums), Noise Levels correspondence, 2024

LISA: Fatigue were invested in the scene and worked tirelessly, showing a level of dedication beyond their years. Their music has a timeless quality, and I truly hope that with the 2024 re-release, Fatigue finally finds the audience they deserve. With this release, the band lives on.
Lisa Willows (Manager), Noise Levels correspondence, 2024

RELATED BANDS: Night Dragon, Lawnsmell, Chinese Burns Unit, Hellebores, Crackwhore, Benleesacarnt, DSMB.







Sunday, May 19, 2024

Lawnsmell

ORIGINS: Sydney, NSW
GENRE: Punk
YEARS ACTIVE: 1991-1997
 
MEMBERS:
RELEASES: 
  • Demo (1993) - Download Here.
    • 1. Androgynous
    • 2. Porch People
    • 3. Laundry Boy
    • 4. Hurt Me

  • Self-Titled 7" (1994) - Download Here.
    • 1. Melts Away
    • 2. Cleveland
    • 3. My Mate
    • 4. My T-shirt
    • 5. Vegie Meat
    • 6. Fine

  • Demo (1994)
    • 1. Melts Away
    • 2. Cleveland
    • 3. Left Behind
    • 4. Midget
    • 5. Warmf


  • De-Sexed (1995) - Download Here.
    • 1. Left Behind
    • 2. Love
    • 3. Warmf
    • 4. Green Teeth Kiss
    • 5. M!dget
    • 6. Warmf (Reprise)
    • 7. Melts Away
    • 8. Cleveland
    • 9. My Mate
    • 10. My T-Shirt
    • 11. Vegie Meat
    • 12. Fine
    • 13. Birthday
    • 14. Androgynous
    • 15. New School 


  • That's Not All You Can Smell (1996) - Split with All You Can Eat
    • 1. A.Y.C.E.
    • 2. Fight or Flight
    • 3. Lose It All
    • 4. I Don't Wanna Talk About It
    • 5. I'm Gone
    • 6. ...Easier


  • Self-Titled (1997) - Split with No Reason
    • 1. Bottom of the Sun
    • 2. Merciless
    • 3. Why Quit
  • Compilation-only Tracks - Download Here and Download Here.
    • Cicada (1995) - on Jerky (Purr-Zine compilation)
    • Punk Police (1995) - on Half-Life (Serum Records compilation)
    • Could've Been Anyone (1995) - on Star Trackers compilation
    • Keep the Beat (1995) - on Neoteny 2 compilation
    • Lose It All (1995) - on Neoteny 2 compilation
    • Drew (1995) - on Keep On Babble On (Oxford Radio compilation


  • Lawnography (2008) - Discography Album
    • 37 songs drawn from all the above releases.

SUMMARY: Lawnsmell began when a group of friends decided to put a band together after attending a punk show at the Phoenician Club in the early '90s. Their first drummer exited after one show and after this point the lineup solidified and remained the same for most of the band's time, except for part of 1994 when drummer Derek was doing his HSC (leading to a fill-in drummer, Nick Leach). The band released four key releases after some demos - a self-titled 7", an album, and two split releases with other bands. During the early to mid-90s the band played regularly in the Sydney punk scene and also toured Melbourne, Brisbane, Newcastle, Wollongong, etc. By 1997 things had run their course and members were ready to move on.

SHOWS: 
1994, taken from Loaded to the Gills Issue 5

ORAL HISTORY:
MATT: I met Gina at high school at Kogarah in 1986. Two years later she went to art school and met Glenno, who had moved to Sydney from Orange. 
Matt Allison (Guitar), Noise Levels correspondence, 2024
 
GINA: First day at COFA Art School uni, Glenn tapped me on the shoulder and asked about my T-shirt. It was a Descendants shirt and he had no idea who they were. He was 18 and I was 21... I felt pity for this cute country kid so I mad him a mix tape. We became best friends from that day. Swapping tapes, going to cool gigs, and we decided to form a band. 
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024
 
GLENNO: We decided to get a band together at the All gig at the Phoenician Club. The idea was very naive... no plain. Just a band and see what happens. Gina and I both played bass so we had two bass players. No reason other than we had two bass players that wanted to be in a band together. We had no clue, we had no shame.
Glen Smith (Vocals, Bass), Noise Levels correspondence, 2024

GINA: I already had the name Lawnsmell as I love the smell of freshly cut grass. We both played bass so we thought, fuck it, let's have two bassists. Glenn played with his fingers and did the tricky bits and I did the heavy thumpybits. It was easy really - we loved writing songs together they would make us laugh. 20 years later I married him.
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

From Drum Media, January 1993

MATT: We all liked a wide range of music but we all loved melodic punk bands like The Hard-Ons and Descendants, so we decided to form a band to play this kind of music... We roped in Craig Jackson to play drums. He only stayed for our first gig then moved on.
Matt Allison (Guitar), Noise Levels correspondence, 2024

GLENNO: Our first show was the Lewisham Hotel Birthday Party with Casualty, Persecution, Sugar Daddies and us. It was my first proper stage. The sound guy kept telling me to get closer to the microphone when I sang. I didn't like what I heard so I kept stepping back. It was naive to the point of comedy. Naive is a strength in punk rock... it can't be faked. If your songs are strong and your technique questionable - it's a unique blend. That's what we had... and had a great time being nervous. People liked our honesty and our inclusive band culture. We were very casual but we were sometimes quite fast and heavy. 
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024

GINA: Our first show... I was scared and very green. I would always - and still get - nervous. It was a party so people clapped that night and seemed to enjoy us, and that was that. We continued played with great frequency after that. It was more my thing than my last band, The Rosemarys, and I finally felt part of something I loved. Being in Lawnsmell was a hoot! I met the most amazing friends and played with some of my teenage-favourite bands like The Hard-Ons and Radio Birdman. All was the most exciting for me, we played with All twice. Hellmenn also blew me away. 
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

MATT: We found this young guy named Derek Alley. He was still in high school at the time and after he joined the lineup remained unchanged until the end. 
Matt Allison (Guitar), Noise Levels correspondence, 2024

DEREK: The band was already in motion when I joined. I believe they played some gigs with Craig before that. I shopped at Soundgarden Records in Hurstville and started talking with Gina when she was working there one day. I mentioned I was a drummer and we organised a jam. My first show was at the Petersham Inn with other bands that were friends with Lawnsmell. I was 15 and could only drink water or soft drinks... 
Derek Alley (Drums), Noise Levels correspondence, 2024
 
Advertisement, Noisecrash Issue 3, November 1995
 
MATT: The 7" came out early June. So far it's sold really well, we've almost sold out of the initial 500 pressing... I haven't sent many out to radio stations yet, although we just did an interview on Sydney public radio station 2SER! 
Matt Allison (Guitar), TMT Issue 18, 1992-1996.
 
GINA: I wanted to call the band Bluish-Greenish at first, but none of the others came round... so we called our record label Bluish-Greenish. And being our label we were pretty disappointed that we could only get purplish-pinkish vinyl... I'd like to get some demos from young bands if they want to send me demos.
Gina Monaco (Vocals, Bass), Loaded to the Gills Issue 5, July/August 1994


MATT: Our sound is a bit unconventional in the sense that we have two bass players a lot of the time. And also, Glenn tends to play a lot of the lead guitar bits on the bass, where as I tend to just fill the sound out more. But I don't know; it's hard to be objective about your own band... but hopefully it's a big sound. There's plenty of that, without sounding like Kyuss. There's a fair bit of bottom end. We're sick of bands tuning down. I think we tend to be on the more melodic, poppier side of hardcore or whatever you want to call it - I think as a reaction to a lot of the slow, grungey kind of stuff. We're more influenced by bands like All, the Descendants - just really short quick songs that don't get you bored.
Matt Allison. Loaded to the Gills Issue 5, July/August 1994

GLENNO: We played the Vulcan Hotel, Feedback in Newtown, The Den in Penshurst, the Lansdowne, Hornsby police boys Cosmic Snail shows, Max's in Petersham, the Bat and Ball, Evil Star, the Metro, Selina's, Wanda Surf Club, Maning Bar, Bondi Pavilion... there were dozens of Sydney venues and we played with tons of overseas touring bands. We were Sydney's greatest support band and we didn't really fit into any pigeonhole. Back then, mixed bills were very common. It wasn't so specific, incestuous and generic... like the hardcore scene. It was friendly and bands didn't try to fit in. The opposite was true. We couldn't play punk rock by numbers because I didn't know the numbers to emulate. I let songs appear to me and never overthought it... We got really good at whatever it was we were doing. Played with some real legends and always felt fine feeling like outsiders and pretenders. People saw great things in what we did when we couldn't see it ourselves. We just loved doing what we did. These days I know what's what but I was living a povvo life, in a romantic time, and just loved doing it. I had no ambition or attitude. I was a country kid just doing it. What I had dreamt of. Punk rock, D.I.Y., my needs were few and I had some great friends to adventure with.
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024
 
MATT: The ALL gig was a dream come true - they're our all time heroes! It was our favourite gig for obvious reasons. We play on average once a week or fortnight. We have a little bit to do with No Deal, which is basically a guy named Sean (ex-Toe to Toe, now Downtime) and he's one of our biggest supporters. He's expressed interest in recording us for his label but was pretty busy so we just went ahead and did it ourselves. We played on a few No Deal bills.
Matt Allison (Guitar), TMT Issue 18, 1992-1996.
 
GINA: We learnt things along the way. Especially for me. I slowly became a better bass player with all the gigs we did. We were lucky to have gigs thrown at us back then. We were lucky and very green back then.  
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

GLENN: Gina plays the meaty bits and I play the vegetables and desert... Matt's got the guitar well and truly covered.
Glenn Smith (Vocals, Bass), TMT Issue 18, 1992-1996.

DEREK: Playing with two basses was as easy as playing with one. You get used to it very quickly. It was a bassalicious eight note foundation to layer melodic syncopation over.
Derek Alley (Drums), Noise Levels correspondence, 2024


GLENNO: I changed from Glenn Smith to Glenn Lawnsmell. I also started to draw a lot more obsessively and that drive has only accelerated with each year. The D.I.Y. ethic and punk community lent me enthusiasm and tools to organise my efforts. The scene was also full of brilliant friends that remain to this day. The punk scene especially was not 'easy' then. People got yelled at by cars full of 'normal' yobs. Newtown was full of impoverished students and freaks. It was affordable and dangerous. Brilliant.
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024

GINA: If people want to hear certain songs they'll yell 'em out. We usually end up playing those ones anyway. We keep them in the set list 'cause, you know, the kiddies like them.
Gina Monaco (Vocals, Bass), Loaded to the Gills Issue 5, July/August 1994

GLENNO: The band's lineup didn't really change. We had Derek on drums but in the semifinals of a band comp at the Vic on the Park he was a no-show due to glandular fever. We grabbed a guy we knew from the crowd who could play drums. His name was Nick Leach, he didn't know our songs... and we won. The crowd wanted it to work and we gave descriptions of the song to him on stage and told him to look to me for any changes at the start of each song. Both the band and the crowd were hoping for the best and it was great. We ended up winning that night and then the final too. We won some recording time but I don't think the recording ever got a release. We did it with Nik on drums. 
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024
 
MATT: We won a band comp - y'know, big deal - we had to play there three times and we got $200 for three shows. We were supposed to get an article in On The Street, which didn't happen - we got a few lines. We're s'posed to get future gigs at the Vic on the Park, which didn't eventuate. Band comps are a big joke. I s'pose they're got a purpose for bands who just want to play and get out there, but they're a real rip-off.  
Matt Allison. Loaded to the Gills Issue 5, July/August 1994
 
GINA: When I was 24, my first school I taught at had this kid in Year 12... we got that kid's band, Gilgamesh, heaps of shows with us. Later that kid became a Lawnsmell fan who used to make his own Lawnsmell T-shirts, and he later married my friend's sister. Now he is in the bass player in my current band, Hellebores.  
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

Loaded to the Gills Issue 5, July/August 1994
 
GLENNO: We did a handful of songs at the end that I really like. Those songs were our side of a split record with San Francisco's All You Can Eat - a band I am still in contact with in its many splintered groups. Gina and I got married in San Francisco with all that lot officiating in Golden Gate Park. I listen back on those songs and see where my music now has come from. It was a warm up for Chinese Burns Unit, Outcest, and Hellebores. Lawnsmell was a bit of fun that got out of hand. We played 200 plus gigs in the 4 or 5 years we played. 
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024
 
REVIEW: What can I say but bloody excellent. The Lawnsmell songs are some of the best I've heard, especially 'Lose It All'.
Review of the Split w/ All You Can Eat, Bastard Child Zine, 1999

GINA: The highlight of the band for me was playing with Glenn... he was my best friend and was a hoot to be around. We laughed at ourselves constantly. We wrote silly songs about crazy things that happened to us or what we observed... and still do. I need him to write songs; he takes my lyrics and turns them into magic. Sometimes I go to him with a tune, he plays a few riffs on his guitar, and like that there is a song. We still spend our Friday nights writing songs. I also look back at the all the cool friends we made and still keep in contact with. 
Gina Monaco (Vocals, Bass), Noise Levels correspondence, 2024

MATT: We ended around '96. I was the first to jump ship, thought we were going round in circles and I was into lots of different music, so I was keen to move on. We remained friends though, and still are.
Matt Allison (Guitar), Noise Levels correspondence, 2024

GLENNO: Lawnsmell came to an end when it was becoming less fun. Gina and guitarist Matt were going out with each other and that finished but the band kept going. The magic sort of evaporated and I found I was trying too hard to keep the momentum up. We are all still friends and it's the ideal way to call it quits. 
Glenn Smith (Vocals, Bass), Noise Levels correspondence, 2024

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