Showing posts with label Tim Walter. Show all posts
Showing posts with label Tim Walter. Show all posts

Saturday, February 22, 2025

Hippycrits


 
ORIGINS: Sydney, NSW
GENRE: Punk
YEARS ACTIVE: 2001-2004
 
MEMBERS:
RELEASES: 
  • Self-Titled (2001) - Download Here.
    • 1. Cousins Cow
    • 2. Kerry
    • 3. Don't Even Try
    • 4. Sick Greed
    • 5. Sweet
    • 6. Big Brother
    • 7. Pissheads on Patrol
    • 8. Gotta Be Free
    • 9. Get Fucked
    • 10. Beer Song
    • 11. Rewind
  • Lost Album (2003) - Presumably destroyed
    • The Pirate Song
    • Unknown songs 
SUMMARY: The Hippycrits emerged from the ashes of earlier punk band Dropzone as an Inner West exercise in crust debauchery. Embarking on some short tours of regional NSW, the band cycled through several guitarists and recorded two albums (one mostly unreleased, the other lost and/or destroyed) before members moved on to other things.
 
SHOWS: 

?

ORAL HISTORY:
AARON: Adrian (The General) had put together the second incarnation of Dropzone, which consisted of Lesleigh on bass, Fran and Luke on guitar, me on drums, and himself on vocals. After playing a few terrible gigs where we couldn't keep in time with Adrian, we decided to kick him out, rewrite lyrics to some of the Dropzone music, and change the name to Hippycrits. 
Aaron Cortilla (Drums), Noise Levels correspondence, 2025
 
LESLEIGH: Dropzone had split but Adrian wanted to get it going again. It was Dropzone until we got rid of Adrian (he couldn't keep in time to save himself) and the rest of us stayed together and re-branded as the Hippycrits. We all did vocals - we all had a few lead vocals while the others did back ups. It was great! It wasn't a conscious decision, it just kinda happened - we'd write a song and someone would sing and it would work. I think if you were to really break it down, Fran and I were the lead vocals, but Aaron sung two leads and Luke and I would bounce off each other in leads.
Lesleigh Kehlet (Vocals, Bass), Noise Levels correspondence, 2025
 
AARON: Fran suggested the name. I think he had been sitting on it, you know when you have a list of band names ready to go... anyway, we all thought it fit, so we agreed we were now the Hippycrits.  
Aaron Cortilla (Drums), Noise Levels correspondence, 2025
 
FRAN: The name came from a common hatred of hippies - filthy, vile, lazy usurpers. All the arseholes ruining the planet are from that era. Fucking hippies.  
Fran Toller (Vocals, Guitar), Noise Levels correspondence, 2025
 
LUKE: My main memory of recording is... not much. Beer, cigarettes, and amphetamines mostly. I know we got on Geoff's (the engineer from Zen) nerves and were kicked out of the control booth a few times because we weren't happy with the bass sound or the drum tones or a bunch of other things. He was a good sound engineer but he had a shit ear for punk tone. We always had a love hate relationship with Zen. They were always great but me and Fran would always owe them money and we weren't always very well behaved, haha. 
Luke Turner (Guitar), Noise Levels correspondence, 2025
 

 
LESLEIGH: We went to Lismore - my brother lived there so he got us on a gig with his band, Evil Geniuses. We all took Magic Mushrooms in Lismore. 
Lesleigh Kehlet (Vocals, Bass), Noise Levels correspondence, 2025

LUKE: We played the mushroom gig at Barry's place in Lismore. We also played a bunch of shows in Newcastle and down Wollongong way, and a show in Canberra. 
Luke Turner (Guitar), Noise Levels correspondence, 2025

AARON: Lismore, Wollongong, and Canberra were as far as we went from Sydney. Hahaha, 'the mushroom gig'... I had no idea what song we were playing most of the time but still had the best time. We'd been offered a few gigs around Lismore over a weekend so we packed up the vehicles and headed north. We left pretty late, I guess some of us had work, and ended up sleeping on the side of the road in our cars the first night before arriving in Lismore the following day - only to discover the guy who had promised us the gigs hadn't organised a single thing. Luckily we were staying with Lesleigh's brother, Barry, who put together a house gig at his place. The fellow who was supposed to organise the gigs felt pretty bad because we had driven all that way and weren't even going to make petrol money so he payed us with a box of dried-out magic mushrooms. Hey, better than nothing. Of course we all scoffed them down just before playing the gig in a tiny upstairs room of the house. I remember it was so hot and humid - we were all sweating buckets. Luke was sitting in a plastic chair to play 'cause he had done something to his leg and was in a cast. Like I said, I didn't have a clue what song we were playing most of the time so I was just playing along to whatever was going on in my head. It turned out to one of the most fun gigs I ever played. Not sure if the ten or so people watching enjoyed it as much though...!
Aaron Cortilla (Drums), Noise Levels correspondence, 2025

LESLEIGH: Luke kept ditching band practice all the time and I suppose, really, we asked Luke to leave. Kerry Foulke joined on guitar - he worked at Zen Studios, where we practice, and he was in the band for about a year and then left to pursue MM9. Tim Walter then joined for about six months or so and then Luke re-joined.
Lesleigh Kehlet (Vocals, Bass), Noise Levels correspondence, 2025
 
LUKE: I was in Hippycrits for quite a while. We recorded an album and played plenty of gigs but eventually I was fired because I was getting fucked up a lot and started missing rehearsals and not showing up to gigs so I was replaced by Kerry Foulke. 
Luke Turner (Guitar), Noise Levels correspondence, 2025

KERRY: I'd known Fran for a few years from doing shows together with various bands and Hippycrits used to rehearse at Zen in St Peters where I worked at the time. From what I recall Fran invited me around to jam at his placer with him and Aaron after work one day. I think they'd had to cancel a session and were still keen to play. A while after that they asked me if I wanted to join. I really dug the songs and they were such a fun and talented group of musos so I jumped at the chance. Funny side note - a few years before I joined, I'd written a song called 'Hippiecrits' for my band Flugebinder. I used to enjoy taking the piss out of Fran by taking credit for naming his band. He claimed he didn't remember the song but that never stopped me, haha.
Kerry Foulke (Guitar), Noise Levels correspondence, 2025

LESLEIGH: I had a slipped disc in my back when we had that Canberra gig. Painkillers and alcohol don't mix well so I had a nap on a couch before we played. Next day I dropped the boys off in Fyshwick to get porn while I bought fuckloads of fireworks. 
Lesleigh Kehlet (Vocals, Bass), Noise Levels correspondence, 2025


AARON: We played all over NSW but never played interstate unless you count Canberra... we played heaps of gigs around Sydney and the surrounding suburbs, as well as north to the Central Coast, down to Wollongong and Kiama, and out west to Blacktown and Penrith. Anyway, Canberra - the guys from The Bigots - Tim and Joel - had invited us down to play one Saturday night. We decided to meet at Lesleigh's place and head down in one car. Lesleigh, Fran and myself were all living in the Inner West so we met up first and devised a cunning plan. Luke had to travel in from St Ives so was going to arrive an hour or so later. We figured if we smashed a few beers we'd be over the limit and Luke would have to do the driving. So at about 9am we cracked our first beers and by the time Luke arrived we were well into it. We drank the whole drive to Canberra, which ended up taking twice as long with all the piss stops we had to make for Fran. By the time we arrived the three of us were pretty hammered. We weren't due to play until late that night so Les, Fran and I were hungover as fuck and struggled through the set. Luke, however, was in fine form. 
Aaron Cortilla (Drums), Noise Levels correspondence, 2025

KERRY: I was with the band maybe a year. I remember playing the Green Square a bunch. At least once at Bar Broadway. We were gigging pretty regularly. 
Kerry Foulke (Guitar), Noise Levels correspondence, 2025

LESLEIGH: We recorded a second album with Kerry but never had the money to pay for it. That was at Noisegate in Castle Hill. We were just all too broke to pay for it and it stayed with Noisegate and I assume it was destroyed.
Lesleigh Kehlet (Vocals, Bass), Noise Levels correspondence, 2025
 
AARON: I don't recall when or why Luke left but at some point he was replaced by Kerry Foulke. Kerry then went on to join a more professional band that didn't leave time for us misfits. 
Aaron Cortilla (Drums), Noise Levels correspondence, 2025

A street press spread from an October 2002 magazine called Large. Note the graffiti... Aaron says, "The graffiti was done by Fran and I on a wall across the road from a house I was renting in Sydenham. The wall would have been at the front of one of the houses that was knocked down because it was under the flight path. 
 
KERRY: In 2002 I had the opportunity to join up with MM9. At that point MM9 was just starting out and the schedule to get it off the ground was pretty hectic. We were doing two late night reharsals plus a full eight hour day of writing in the rehearsal space every week. I remember some nights I'd do a Hippycrits rehearsal and then go straight into an MM9 rehearsal afterwards. Add in a day job and that's kind of a lot. If I'm being honest though, I think the real problem was that I just wasn't mature enough as a player to give both bands the attention they deserved. These were two great bands that were wildly different stylistically. As a musician, I was adaptable at the time, but I struggled to change gears between the two so I felt like I had to choose and I went with MM9. Up to that point I'd only played in punk bands and I really wanted to try my hand at something different. It wasn't an acrimonious split or anything. The guys in Hippycrits were really understanding and we still hung out for a long time after that. Without getting too soppy, the Hippycrits still holds a very special place in my heart. I'm super proud of the stuff we did together. In the middle of MM9 recording our first album, I had Fran tattoo the Hippycrits logo on me. I was kind of honoured that, even though I wasn't with the band that long, he still thought I was worthy of it!
Kerry Foulke (Guitar), Noise Levels correspondence, 2025
 
LESLEIGH: I asked Tim to join when Kerry left. I was good mates with Tim through Unpaid Debt. I loved having Tim in the band but I felt like he thought it was a bit much for him. He was great though. Unpaid Debt were also doing quite a few shows and it was too much for him to commit to us.  
Lesleigh Kehlet (Vocals, Bass), Noise Levels correspondence, 2025

TIM: I knew Lez through Matt and Damien (Unpaid Debt). I was in the band for only a gig or two I think. We rehearsed at 'Cat Piss Studios'... the place smelt like cat piss. The owner of the studio never came downstairs and in the rehearsal room was an old AC30 and old Roland Space Echo. If I wasn't honest I would have them in my possession and the owner probably wouldn't have noticed. Anyway, eventually I stopped getting calls for rehearsals - I think the others thought I wasn't overly interested and I was probably recording a bit at the time. It was good fun though - real crusty fun. I enjoyed it. 
Tim Walter (Guitar), Noise Levels correspondence, 2025
 
KERRY: I got a call from Lesleigh one day asking me if I could do a show with them at the Lansdowne the next night because Tim couldn't make it. Mind you, this was 9 months after I'd left the band and remembering the songs was a serious stretch. On the night they even launched into at least one or two songs they'd written after I left and no one had shown me. That was a hilarious show. Such good times, haha.
Kerry Foulke (Guitar), Noise Levels correspondence, 2025 
 
LESLEIGH: Hippycrits was just awesome guys, awesome music, and so much fun. I loved this band. We had a song called 'The Beer Song', which I wrote, and it got to a point where everyone would buy me a beer when the song started. I used to get so drunk with all those beers. Little did I know that in writing that song I would be able to get drunk so cheaply at gigs! 
Lesleigh Kehlet (Vocals, Bass), Noise Levels correspondence, 2025
 
FRAN: Playing in the Hippycrits was wasted, crazy fun. Porn, pyrotechnics, prosthetics, ex-limbs, and weed - all out of Fyschwick in the ACT. I urinated on Azo and Lesley that night in their beds, courtesy of Tim Bigot's moonshine. It was always wasted fun. 
Fran Toller (Vocals, Guitar), Noise Levels correspondence, 2025

LESLEIGH: The band ended when I moved away to Batemans Bay with my boyfriend (now husband). I think we had come to an end before that but that was the definite ending. 
Lesleigh Kehlet (Vocals, Bass), Noise Levels correspondence, 2025

AARON: I'm not sure that Hippycrits has ever officially broken up. I think people just stopped turning up to rehearsals until there was no one left. No one can keep that level of partying up forever... Seriously though, I think life just moved on and so did the band members. Les got married and started a family. Fran and I tried to keep the band going for a while, recruiting friends to play with us, but things had basically deteriorated into free jazz type rehearsals until eventually we just never booked another.
Aaron Cortilla (Drums), Noise Levels correspondence, 2025
 
RELATED BANDS: Turtle Slime, Kevin, Dropzone, HYMG, Headbutt, MM9, Blackbreaks, Stalin's Organ, The Last Hemeroids, The Picaros, The Dynamic Lifters, Bullwinkle's Revenge, Groin, Bastardos, Vae Victis, Dead Wasted, Dark Horse, Change Over, Unpaid Debt, Speckled Foam, Staunch, My Name is John, Switchkicker, Mz Ann Thropik, Flugelbinder, Unclean
 

Friday, May 17, 2024

Staunch

ORIGINS: Western Sydney, NSW
GENRE: Punk
YEARS ACTIVE: 1999
 
MEMBERS:
RELEASES: 
 
  • Self-Titled (1999) - Download Here.
    • 1. Right
    • 2. Your Balls Hang Low
    • 3. No, Nah
    • 4. Short One
SUMMARY: Staunch was a short-lived old school punk band consisting of members from Speckled Foam, Spilt Milk, and Drut, whose previous bands had all finished around the same time. The band practiced a few times, recorded the live demo, and played one show under the name 'special guests'. Matty and Tim started Unpaid Debt a few weeks later, which then became their focus.  
 
SHOWS: 
  • Wastelands, PCYC, Blacktown - unknown date, 1999
ORAL HISTORY:
TIM: Staunch was a couple of rehearsals and then that was it. The cassette tape should have a warning label on it. The songs don't really have real names.
Tim Walter (Guitar), Noise Levels correspondence, 2024

CHRIS: It was a fun short-lived band. We did one show at Wastelands/Blacktown PCYC of just 4 songs. Simon, the drummer of Drut, was on vocals with his awesome lisp. Matty Albert wanted to have a go on drums. I tagged along with Tim everywhere so found myself on bass. We had a few practices ad then the one show and I think that was it. It was a fun exercise... it was always going to be a bit crappy, but fun. 
Chris Duckworth (Bass), Noise Levels correspondence, 2024

RELATED BANDS: Speckled Foam, Drut, Unpaid Debt, Hippycrits, My Name is John, Mystro, Lestat, Sinus, Spilt Milk, Hatetrip, Groin, Beaver, The Last Hemeroids, Columbia's Pain, Pandora's Theory, Toe to Toe, Headbutt, Two-Faced

Friday, February 16, 2024

Tim Walter

 

Tim Walter

OTHER:

REGION: Western Sydney, NSW
SCHOOL: St Mary's Senior High

Tuesday, February 6, 2024

Speckled Foam

ORIGINS: Penrith, NSW
GENRE: Ska-punk
YEARS ACTIVE: 1996-1999
 
MEMBERS:
RELEASES: 

  • Drink Drunk Punk (1997) - Download Here.
    • 1. They're Onto Me Now
    • 2. Teenage Sex
    • 3. CCFM
  • Everyone is Entitled to My Opinion (1998) - Download Here.
    • 1. Loser
    • 2. The One That Got Away
    • 3. Job Application
    • 4. Drive Through Romance
    • 5. Genital Warts
    • 6. High Impact Fairytale
  •  Silly People Never Die (1999) - Download Here.
    • Beer
    • Reason for Your Smile
    • Tease
    • What You Say
    • Getaway
  • Untitled Album (1998) - Download Here. 
    • 1. Somewhere in Nowhere
    • 2. Teenage Sex
    • 3. Cola Girl
    • 4. Beer
    • 5. Stranded
    • 6. This Vehicle is Fitted with 4WD
    • 7. Club Chix
    • 8. Getaway
    • 9. Tease
    • 10. Smile


SUMMARY: Named the night before their first house party gig (which lasted for three days in what turned out to be a backyard baptism of fire) Speckled Foam regrettably took inspiration for their name from the DIY sound insulation in drummer Martin Birrell's garage. To be fair, the insulation was undeniably both speckled and foam-like. Concerned they might confuse their early (five person) fanbase, they never changed the band name.

Speckled Foam largely owes its creation to Martin Koen, who pulled the people together, realised he wanted to play metal instead, and promptly went his own way. The band's first bass player also left the outfit after allegedly chasing another member of the group with a pointy uprooted 'For Sale' sign, one rather messy night. Werrington kids Joel 'Cool' Catanzaro and Martin 'The Biz' Birrell crossed to the wrong side of Dunheved Road and enlisted their mate and secondary axe man from Cambridge Park, Michael 'Tommo' Thompson (RIP). Joey then brought in Tim Walter (who would later go on to be a founding member of Unpaid Debt) who in addition to a Mohawk and Seven Hills punk cred, brought with him bass player 'Goonboy'. This lineup cemented the band's ska punk sound. 

Their first two releases were cassette tape demos which were self-recorded on a Tascam four track, the beginnings of Tim's many exploits as a sound engineer and producer. Their third release, Silly People Never Die, was a cassette recorded at some studio (no one remembers the name) using time the band won at a competition. Their album, which was being made for release in the era of the compact disc, never saw the light of day. 

The band secured a third place win at Youth Rock, which incidentally helped some absconding members get the extracurricular credits they needed to not fail high school. Their tech that day was a young Luke Shirker, who Joey would later live next door to on Unwins Bridge Road in St. Peters. Members of Bagster, Five Knuckle Shuffle, Unpaid Debt and more lived in the dilapidated row of town houses on Unwins Bridge Road, made famous and preserved from demolition because of the pub adjoining them, the Town and Country, which in better times had hosted a down on his luck country singer named Slim Dusty. It was there that he wrote a tune called 'The Pub with No Beer'. A short walk from the then-legendary Zen Studios, Unwins Bridge Road became a staging point for bands breaking out of the West, into the Inner West. 

The members of Speckled Foam went on to found and join bands including Unpaid Debt and Little More Than You. Tommo, who parted ways with the band early on, went on to join Barkode. His tragic passing at 19 prompted a brief Speckled Foam reunion and an acknowledgement among the surviving members that it was the best of times, regardless of the quality of the music (or lack thereof).  

Text supplied by someone who was there, 2024.

 SHOWS: 

 
ORAL HISTORY:
TIM: Joe and some of his mates started the band. Not sure how long they were jamming before I came along. We used to jam in Tommo's lounge room, then in Biz's Dad's factory unit with a stereo/PA that my Dad had. He still has it in the garage.
Tim Walter, Noise Levels correspondence, 2024
 
CHRIS: I played nothing before Speckled Foam. Played a tiny bit of bass with some guys from school, but none of us could play... at all. Tim walked into the Wastelands shop and we figured out we went to the same Sex Pistols show and we hit it off. It wasn't long after that Tim asked me to try out for Speckled Foam and I learn bass from there"
Chris 'Goonie' Duckworth, Noise Levels correspondence, 2024
 
TIM: First gig I remember was a house party in Werrington. We got noise complaints and everyone from the party grabbed a piece of gear and we walked it through the neighbourhood to another house and continued.
Tim Walter, Noise Levels discussion, 2024
 
CHRIS: Playing Youthrock was pretty good. My introverted self playing out to something like 1000 people. Penrith High School was also fun. Somehow Tim managed to get the whole high school doing the Chicken Dance to one of our songs.
Chris 'Goonie' Duckworth, Noise Levels correspondence, 2024 
 
TIM: I took the school's 4-track home and just smashed the demos away. Then we won about 48 hours studio time from various band comps. We would turn up and always know a judge or two. Once we played a real shit one and Izzy (who sang in Cult 45) came up and said we were shit but we could still go through to the next round. We used to run out tapes off over the top of the cheapest cassettes we could find. Often old shitty bands that you'd pick up for 50 cents a pop. I think Biz's dad found a whole bunch of them for next to nothing. We would erase them then put a sticker on them, print a dodgy cover, and charge $5. We used to sell so many of them.
Tim Walter, Noise Levels correspondence, 2024

 
RELATED BANDS: Barkode, Little More Than You, Unpaid Debt, Hippycrits, My Name is John, Staunch, Paper Tigers, Staunch