Showing posts with label Nu-Metal. Show all posts
Showing posts with label Nu-Metal. Show all posts

Saturday, May 9, 2026

Shaun Hay

Shaun Hay

  • Nale (1995-1998) - Bass
  • The Aviators (2007-2008) - Bass
  • Hifi Reactor (2009) - Bass
  • Exit Everywhere (2010-2012) - Bass

REGION: Penrith, NSW


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Saturday, August 17, 2024

Keepsake

ORIGINS: Penrith, NSW
GENRE: Metal, Nu-Metal
YEARS ACTIVE: 2000-2001
 
MEMBERS:
  • Wade - Vocals
  • Hayden - Guitar (2001-2003)
  • Wes von Grabill - Bass
  • Evan McKay - Drummer
  • Jeremy - Guitar (2000)
RELEASES: 
 
  • Demo (2000)
    • 1. You Are Not Me
    • 2. Lube
SUMMARY: Keepsake were a nu-metal band based in the Penrith area, not to be confused with other (later) bands of the same name. They played fairly regularly in Penrith and the Blue Mountains throughout 2000 and 2001.
 
SHOWS: 

ORAL HISTORY:
REVIEW: Keepsake seem to be getting quite good, and this performance was probably the best I have seen them do. They have a kind of punk/metal type of sound that, I must admit, gets my head moving and foot tapping every time... there were a number of moshers jumping about like a pack of demon-possessed rabbits.
Review from Obzine Issue 15, October 2000
 
WES: We've been together since July 2000 but we had another guitarist back then... We fired him 'cause he couldn't do a gig, then we got Hayden. He's got way better equipment.
Wesley von Grabill (Bass), Obzine Issue 19, April 2001
 
WES: Craig (from Clobassi) and I harassed Kris Keeble for about a year to let us put on a gig and finally we did. She liked the Ballyhoo concept, she'd heard about the last one and how it sold out. So we decided to put it on again. April 27th, all ages. One Dollar Short's headlining, then Clobassi, Keepsake, Little More Than You (which will probably pack it out), then Fletcher. 
Wesley von Grabill (Bass), Obzine Issue 19, April 2001
 
HAYDEN: We'll probably work on something better to release than the demo tape because we know we could do better... The first set of songs Wes wrote pretty much by himself, now we're starting to write more songs, which is top quality stuff, so we're working together as a band - which is good. Our music's slowly changing I think, with the songs we're starting to write. 
Hayden (Guitar), Obzine Issue 19, October 2000
 
WES: The sound was heavy, like metal, but I didn't really understand metal. Wade and Evan loved Pantera but I hated them... so as you can imagine, it was a match made in heaven. For me, Keepsake (which I named) was the band that made me realise I didn't ever want to be in a metal band and it was progressive music that I was wanting to explore. We peaked at the Evans Theatre Show.
Wesley von Grabill (Bass), Noise Levels correspondence, 2024

REVIEW: I didn't expect them to be so metal but there you go. If you like the newer-styled metal of Korn and all their spawn then this'll be for you.
Review from Obzine Issue 21, July 2001

RELATED BANDS: Skuzz, Clobassi, Fat Slinky, Superb Lyrebird, Demons to Diamonds, MCP
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Friday, July 19, 2024

Kenny Cowell

Kenny Cowell

  • Nale (1997-1998) - Drums
  • Room 101 (1999-2001) - Drums
  • Fat Slinky (2001-2003) - Drums
  • Company Caine (2005-2006) - Drums
  • Clockdoctor (2007) - Drums
  • Limit Infinity (2008-Current) - Vocals
  • Daymaker (2009) - Drums
  • Exit Everywhere (2010-2012) - Drums

REGION: Penrith, NSW

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Monday, April 8, 2024

Cherub Mafia

ORIGINS: Cranebrook, NSW
GENRE: Nu-Metal, Metal
YEARS ACTIVE: 2000-2001
 
MEMBERS:
SUMMARY: Cherub Mafia were a metal band that came out of Cranebrook High School. They began playing shows after transitioning from playing covers to their own original songs. Internal tensions within the band led to a new name, Hardkore Pawn (HKP for short), before things eventually fizzled out. They did not do any recordings.
 
SHOWS: 
 
ORAL HISTORY:
KURT: Ryan, Aaron and myself went to the same high school and in our mid teens we started hanging out at the Backyard Cafe and socialising with the old Mondo crew. Scott and Patrick came around to my place one day where we were jamming in my garage. They were listening to us play and asked us if they could join and complete a five piece band. We were totally up for it, jamming together on Metallica, Slipknot, Korn, and Sepultura covers. One day we decided to write our own songs... we all had our input and then the songs were born.
Kurt Reichel (Drums), Noise Levels correspondence, 2024
 
SCOTT: Pat, Kurt, myself, and Ryan used to hang out at the Backyard Cafe with everyone else. I think Pat and Ryan were keen to start a band... We just started fucking around and one night at Pablo's (Save Some For Daddy) joint we were all pretty soused and I pointed at a Christmas decoration his mum had in the house of all these little cherubs pointing violins downwards. I said, "It's a cherub mafia". 
Scott Belshaw, Noise Levels correspondence, 2024

KURT: My earliest memory of a show was a gig in Blaxland Community Hall. Small venue, only a crowd of maybe 30 people, and 3 bands - all local. A lot of hairspray went into my hair, to try and make it stand up straight like an '80s mohawk!
Kurt Reichel (Drums), Noise Levels correspondence, 2024
 
REVIEW: Cherub Mafia was an assault. I found their influences a little too obvious, but no doubt with time these guys will have a lot more to say for themselves.
Review of Monkeyfest, Obzine Issue 18, February 2001
 
 
SCOTT: It was great times. I was like 16 and going to the Great Western Bar for the open mic night where we'd scam jugs and then win the case of beer and hammer it afterwards. 
Scott Belshaw, Noise Levels correspondence, 2024

KURT: Chris McMahon from Thy Art is Murder was a groupie and wanted so badly to be a part of the band. We didn't know where he would fit in, so we just had him as a stage performer doing whatever he wanted to get the crowd going, and he would help out Patrick with growling vocals. 
Kurt Reichel (Drums), Noise Levels correspondence, 2024

REVIEW: Then there was the circus bonanza that was Cherub Mafia. It was somewhat strange that the most hyped and successful band of the day was only fourth in a lineup of seven bands. Sprinkling their set of brand spanking new originals with one or two covers (including a great version of Coal Chamber's 'Loco'), dressed in an assortment of bright colours and bizarre costumes, and throwing out free slices of cheese to the punters, they managed to pull an astoundingly huge crowd. One of their original songs, 'Serenity Suffering', really impressed me too.
Review of Judge's Carpark show, Obzine Issue 20, June 2001

KURT: It was just a bunch of fun hanging out with the best of mates all the time, having a reasonably large following, being recognised by people around town. We even put a colour theme together... I was Blue, Ryan was Red, Scott was Purple, Pat was Green, and Aaron was Orange. We wore those colours on stage and Ryan loved Slipknot so much that he wore a red jumpsuit on stage.
Kurt Reichel (Drums), Noise Levels correspondence, 2024

RELATED BANDS: Thy Art is Murder, Vanity Star, Dyasphere, Tocata, The Black Arts Movement, Laura Mosa, Evolvar, The Arbitrary Method, Casa Del Disco, Notion
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Monday, March 4, 2024

Tocata


ORIGINS: Cranebrook, NSW
GENRE: Metal, Nu-Metal
YEARS ACTIVE: 1994-2007
 
MEMBERS:
  • Andrew Kounelis (Vocals) [1994-2006] (also Guitar) [1994-1997]
  • James Young (Guitar) [1994-2001, 2003-2007]
  • Chris 'Frosti' Tar (Bass) [1999-2007] [ (Drums) [1994-1996]
  • Wesley Baiada (Drums) [1997-2007]
  • Daryl Russell (Guitar) [1997-2007]
  • Nathan Clarke (Bass) [1994-1998]
  • Russel Young (Guitar) [2002]
  • Patrick Orriss (Vocals) [2006]
RELEASES: 
  • Self-titled (2000) [as Porndrug]
    • 1. Denatured
    • 2. Week
    • 3. In(va-lid)
    • 4. My Pain
  • Unearth This (2001) - Obzine Compilation [as Porndrug]
    • Denatured

  • Tulpas (2002) - Download Here
    • 1. Stab
    • 2. Drowning
    • 3. I_O
    • 4. Son of God
    • 5. Bipolar
    • 6. Saiyan
    • 7. Stab (Remix) [Bonus Track - Multimedia Version of CD]
    • 8. Punk Song [Bonus Track - Multimedia Version of CD]
  • Damaged: Music to Skate To (2002) - Obzine Compilation
    • Son of God

  • Self-Titled (2006) - Download Here.
    • 1. Promise
    • 2. Reap and Sow
    • 3. The Sacrifice
SUMMARY: Starting as a high school hard rock/grunge band called Mud Puppy, the band was initially a four piece comprising of Kounelis, J. Young, Clarke, and Tar, jamming on cover songs and playing school concerts. Original drummer Chris Tar changed schools, prompting a line-up shuffle that brought in Baiada and Russell. The band became heavier as they began to write their own songs, changed their name to Porndrug, and recorded their first EP in a studio in St Marys. The band stopped playing for a year when they finished school, then re-starting with Tar returning on bass to replace Nathan Clarke, changing their name to Tocata in 2002.  

By 2001 Tocata were playing a lot of Great Western Bar jam nights and began playing a range of local shows and gigs in the city, as well as embarking on some East Coast tours, with Daryl Russell acting as band manager a lot of the time. James Young's career commitments meant that he had to take a break from the band around 2002 and his brother Russel filled in at this time. Further EPs were recorded with Dax Liniere at Puzzle Factory Sound Studios. 
 
Eventually around 2005, Kounelis was replaced by former Cherub Mafia vocalist Patrick Orris. Tocata played a couple of shows with this lineup before both Orris and Tar decided to exit. The rest of the band decided to call a day a few months later.     

 
SHOWS: 


ORAL HISTORY:
"The band started around 1993/94 in high school. We all loved Pantera, Sepultura, etc., but we weren't good enough to play that, so Nirvana covering was all we had for a short while. I was one year ahead of the other guys but Wesley, I grew up next door to him, so he introduced me to the other guys. We practiced hard with a different group of players. I was always on guitar and vocals at high school. It was a high school concert night that we were closer to the band we became... maybe 1996 or 1997. The school brought new instruments so we used them everyday. Destroyed them. The high school Music teachers were very nice but hated us after 2 or 3 years of that."
Andrew Kounelis (Vocals), Noise Levels correspondence, 2024
 
As Mud Puppy, left to right: Andrew Kounelis, James Young, Chris Tarr, Nathan Clarke

"When the band KoRn came out, that was when we started writing our own songs, and played them at a high school concert night. We got in some trouble for playing Pantera's 'Suicide Note Part 1' because the school didn't really want us playing a song with that title."
Andrew Kounelis (Vocals), Noise Levels correspondence, 2024
 
"I started working at Pizza Hut at 16 when Andrew was doing delivery driving. We started talking about music, etc., and we started hanging out after work, talking more music, and doing delinquent things. After a while he just asked me to join the band. Don't think he even asked any of the other members or anything... just that I was suddenly in the band. The band felt like it was kind of over around this point as they didn't jam or anything but I started taking my guitar to school and James and I started jamming together at lunchtime. I played the high verse guitar part and James latched onto it, wrote a chorus, and then 'Denatured' was born."
Daryl Russell, Noise Levels correspondence, 2024
 
"I started to play drums around the same time that Daryl joined the band. We changed to 'Porndrug' at this stage. We were still playing mostly covers of Nirvana, Silverchair, but started to progress to heavier music - playing some Korn and Deftones covers. We started to write our own songs and were playing the odd gig here and there - school concerts and some parties."
Wesley Baiada (Drums), Noise Levels correspondence, 2024
 
"I stopped playing guitar to focus on vocals around maybe 1998. The guitar was way too much stuff for me to drag around... And I had sold all my stuff because I found marijuana in Year 12."
Andrew Kounelis (Vocals), Noise Levels correspondence, 2024 


"It's hard to say exactly when, but we wrote a four track EP and recorded and released it. We didn't print covers properly in order to save on costs... just printed covers at Wesley's place and put them together ourselves."
Daryl Russell, Noise Levels correspondence, 2024
 
"Mostly James would come up with stuff. The heavier stuff was usually James, melodic stuff usually me. Frosti wrote the main riff in 'The Sacrifice'. Each member owned their own instrument. It wasn't until after pre-production recording for our EPs that we started tweaking other stuff. Like, Wes came up with awesome idea for 'Reap & Sow', where the guitar goes high but drops to half time... was so good! I still try to implement it now in music. The high part in a song from one of my more recent bands only exists because of that part from Wesley."
Daryl Russell (Guitar), Noise Levels correspondence, 2024
 
"My favourite memory of playing was being able to preach the good word with people thinking it was just heavy metal... I was going through hard drug times. And all my writing was about spiritual division - Jesus vs. Satan. And unfortunately my Satan was drugs. It was definitely a cathartic experience performing on stage but after a while I refused to repent and decided to do it for all the wrong reasons. We had some great stuff that wasn't properly recorded - all with very nasty insides."
Andrew Kounelis, Noise Levels correspondence, 2024
 
Shirt design
 
"Porn Drug, a heavy metal/hardcore act from Werrington, really got into it and got a little most going at times. Songs like 'Denatured', 'My Pain', and a song which seemed to be an anti-punk punk song (singer Andrew introduced the song as 'Who wants to be a hardcore punk?'), got the crowd going like no other band of the day. Every song was tight and the crowd really got into it. Porn Drug are definitely a band to look out for."
Review of show at Emu Plains Community Centre, Obzine Issue 5, 1999
 
"The name came from an artwork I saw called something like Toccata 27. It was always supposed to be (tocata), all lower case with brackets, which we went to after the phonetic logo we did [tə ká tə] was a disaster to put in press... It was just too painful to get consistency across different media."
Daryl Russell, Noise Levels correspondence, 2024 
 
"Our Newcastle trip was a great time, and recording with Dax was also great fun. In the early days of Tocata we used to have a great time jamming at my parent's place in the garage and playing Goldeneye on Nintendo 64. Probably spent more playing this game then jamming... best game ever. Just hanging out with each other was great."
Wesley Baiada (Drums), Noise Levels correspondence, 2024
 

 
"A standout memory would be The Shenanigans tour to Newcastle. There's a photo somewhere of Russ with a beer case on his head next to a passed-out guy at the bus stop across from the Cambridge Hotel in Newcastle. The passed-out guy adjusted the beer case on his head first before taking it off."
Daryl Russell (Guitar), Noise Levels correspondence, 2024
 
"Recording one of the EPs... during the gang vocals of 'The Sacrifice' everyone yells out 'Cattle'. I yelled out 'Kettle' and its all I can hear when I listen to it now."
Daryl Russell (Guitar), Noise Levels correspondence, 2024
 
"It was clever, powerful and played with so much passion. The live shows were always full-on, with Daryl often egging the others on to put on a good show... The cleverness and diversity developed with time, which made them a band you didn't get tired of hearing and seeing."  
Dax Liniere (Producer), Noise Levels correspondence, 2024

 
"I was speaking to a guy from the U.S. for about 6 months, maybe in 2005. He was a producer and he had all our stuff up to that point. I got in contact with him through a friend in Baulkham Hills. He wanted more of our stuff and he would get things started. I never told the guys... I was going to leave it as a surprise. But then my mother passed away, the guys fired me from the band. Maybe I just became a lost soul... I didn't even call that producer back, I just dropped all the music stuff."
Andrew Kounelis, Noise Levels correspondence, 2024
 
"Towards the end we were looking to invest more money into the band to try and play more interstate shows but Andrew didn't always have a lot of funds. We all had a big chat meeting about it and it's then that we made the decision to let him go from the band. Probably the worst decision we made."
 Wesley Baiada (Drums), Noise Levels correspondence, 2024
 
"The band I was in previously, The Black Arts Movement, and Tocata both rehearsed out of the one place in Seven Hills. Andrew went one way and I left my band and it was a natural progression of things for me to join Tocata as singer. We were all pretty good mates."
Patrick Orris (Vocals), Noise Levels correspondence, 2024
 
"I think Patrick played a show or two and he and Chris then decided to leave. Daryl, James, and myself continued to practice for a few more months but we agreed to wind it up."
Wesley Baiada (Drums), Noise Levels correspondence, 2024 
 
"Tocata were a different beast. Totally raw and no bullshit one second and then quite technical and deep the next. I enjoyed it but at that moment in my life I kind of fell out of love with singing. That was why I left Black Arts Movement. There were other issues in that band that ultimately led to why I started to feel that way but I won't get into that. I was pretty upfront with the boys with this. I was only ever gonna be interim. My focus was more on writing the music instrumentally."
Patrick Orris (Vocals), Noise Levels correspondence, 2024


"I would say that life essentially happened, we had been trying to push it as much as we could. Looking back, we probably could have made it work, it wasn't really the same without Andrew."
Daryl Russell (Guitar), Noise Levels correspondence, 2024

"I'm a school teacher now and I'm joining a seminary in 2 weeks to become an orthodox priest. I am the bass voice in my church's choir... all Russian though, no screaming."
Andrew Kounelis (Vocals), Noise Levels correspondence, 2024

RELATED BANDS: Lynchmada, Tolerable Enemies, Cherub Mafia / Hardkore Pawn, Many Ions Apart, Drytime, From Valley Ruins, The Black Arts Movement, Dyasphere
 










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Monday, February 19, 2024

Withdisdain

ORIGINS: Kingswood, NSW
GENRE: Metal, Alt-Metal
YEARS ACTIVE: 1998-2010
 
MEMBERS:
  • Luke Sloane (Vocals, Guitar)
  • Ming Ng (Guitar)
  • Paul 'Cliffy' Thoms (Bass) [1998-2000]
  • Wayne Bennett (Drums) [1998-2002]
  • Pablo 'Pill' Moya (Bass) [2000-2010]
  • Cale O'Brien (Drums) [2002-2010]
  • Mark Paton (Keys, Samples) [2000-2002] 
  • Julia (Vocals) [1998]
RELEASES: 
  • First Demo (1998)
  • Two Romantic Nights (1998)
  • Function: Down (1999)

  • ETA:TBA (1999) - Download Here.
    • 1. Furthest Epitome
    • 2. Immersion
    • 3. Drab Shirt Queue
    • 4. [Seven][Squared] 

  • Perchance? (2000) - Download Here.
    • 1. Welcome
    • 2. I Finally Learnt
    • 3. Judy Garland's Proverb
    • 4. 1.7.Four.99
    • 5. Eye Contact
    • 6. Immersions
    • 7. Drab Shirt Queue
    • 8. [Seven][Squared]
    • 9. Fist of Withdisdain

 

  • Suffragette (2002) - Download Here.
    • 1. Suffragette (Radio Edit)
    • 2. Florida Palms
    • 3. Closure
    • 4. Vermillion
    • 5. Suffragette

  •  Have You Ever? (2003) - Download Here.
    • 1. Fade In
    • 2. Long Ride
    • 3. Barricades
    • 4. Blemish
    • 5. Understanding Two Storms
    • 6. Chapter 2
    • 7. Violent Scenes
    • 8. Associate A Crow
    • 9. Push

  • Portrait (2008) - Download Here.
    • 1. Finite
    • 2. Buried Beneath the Glacier
    • 3. Fish Tank Mass Grave
    • 4. Sometimes You Feel Like I'm Dead
    • 5. Honey Gonzalez
    • 6. Scenes from a Memory
    • 7. Solemn
    • 8. 8fd
    • 9. Faithfully Yours
    • 10. Stumbling Endlessly Through Muddy Fields
    • 11. Dust Off a Butterfly's Wings
SUMMARY: Withdisdain met each other while studying at Western Sydney University in Kingswood, forming a band driven by Luke Sloane's songwriting and influenced by musical artists like Smashing Pumpkins, Aphex Twin, Deftones, Korn, and Public Enemy. They initially had a different singer, Julia, but she went back to Germany and Sloane stepped up to the mic after this. The next major lineup changes came after Thoms left and Bennett moved up to Queensland. The band remained a stable 4-piece lineup during the '00s and ended with their last show at the Bat and Ball in 2010.
 
SHOWS: 

 
ORAL HISTORY:
WAYNE: It all started in my first 6 months at the Uni of Western Sydney. Luke Sloane and I were flat mates on campus on Uni and very quickly found common ground in our love of music. We started jamming together along with Paul Thoms and Julia as our vocalist. It was really just a bunch of students jamming out. Funny thing about it was that I was the only music student. Luke studied Nursing, Paul was an Industrial Mathematician, and I think Julia was a graphic designer... It was only about 3 or 4 months I think before Julia left, Luke started as frontman and Ming Ng came into the group.
Wayne Bennett (Drums), Noise Levels correspondence, 2024
 
MING: We were all living on campus at UWS Nepean in Kingswood, and the first gigs were house parties around the units and at the Swamp Bar on campus"
Ming Ng (Guitar), Noise Levels correspondence, 2024

WAYNE: We came up with the name off a verse that someone had written on the wall of our house, it went something like 'We look upon ourselves with disdain," and there you go.
Wayne Bennett (Drums), Obzine Issue 12, July 2000

MING: I joined the band in June of '98 as a second guitarist so Luke could concentrate on rapping in the verses of some songs. For the first few years we were looking and playing in the wrong places, and our demos were shite. We had quite a few gigs at the Swamp Bar, and supported Insurge there. But it's such a fucked venue for bands like us. People go there to listen to funk and smoke pot.
Ming Ng (Guitar), Obzine Issue 12, July 2000
 
MING: The name 'Withdisdain' came from a verse which was scrawled on the wall of a uni room - an excerpt of which read, 'Look upon yourself with disdain.' We liked it because it runs away from naming a band as an entity using nouns... and labels us as a feeling instead.
Ming Ng (Guitar), Drum Media, 9 September, 2003

LUKE: My influences come from the Smashing Pumpkins, Deftones, Wu Tang, the Mightyfew... I would be the biggest liar if I didn't say Jewel, she has influenced my lyrics so much just making me think complexly about the situations I want to write about and how to put them into an emotional song (nope that isn't a joke)."
Luke Sloane (Vocals, Guitar), Obzine Issue 12, July 2000


MING: We played a gig out at Windsor with Barkode one night, sold a few CDs there, so I think Adam Rawson and his mates were spreading some good words for us. The turning point though, was seeing all the posters up for Right Here Right Now, and that's what led me to Craig McVea and his column in the Penrith Star. I wanted to organise something similar so I gave him a CD, and a few months later we're playing at the Daily Planet.
Ming Ng (Guitar), Obzine Issue 12, July 2000

PABLO: Luke and Wayne started working where I worked, I got to talking about music with them and told them I played guitar and they asked if I wanted to try and play bass so I said sure, I will give it a go.
Pablo Moya (Bass), Noise Levels correspondence, 2024

WAYNE: A favourite show would have to be my final show with the band. I left the group at the end of 2002 to pursue a new life on the Gold Coast. My final show with the guys was very special to me and very emotional. It's one that I will never forget.
Wayne Bennett (Drums), Noise Levels correspondence, 2024

PABLO: I miss the rush and fear of playing in front of people and I miss rehearsing with the other guys and coming up with new material.
Pablo Moya (Bass), Noise Levels correspondence, 2024

RELATED BANDS: Many Ions Apart



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Wednesday, February 14, 2024

Nale


 
ORIGINS: Western Sydney, NSW
GENRE: Nu-Metal, Alt-Metal
YEARS ACTIVE: 1995-1998
 
MEMBERS:
RELEASES: 
  • Self-Titled Demo (1996) - Download Here.
    • 1. Victim of the Modern Age
    • 2. Deeper Vision
    • 3. Down
    • 4. Place to Hide
    • 5. Money Buys
  • That Which Does Not Kill Us (1997) - Download Here.
    • 1. Teethgrinder
    • 2. Treat Me Wrong
    • 3. Circus Boy

 

  • Down Under Ground Volume 2 (Compilation)
    • Victim of the Modern Age
       
SUMMARY: Nale were a Western Sydney metal band who were renowned for their dramatic stage show (involving smoke machines, giant paper mache flowers, interesting effects on instruments and vocals, and lots of energy). The band received coverage in Hot Metal magazine and played frequently throughout Sydney with other big metal Australian metal bands of the day. In early 1997 their first drummer Scott Stokes left and was replaced by Kenny Powell for two years. After this the band called it a day and some members moved on to the bands Room 101, Spoonfed, The Aviators, and Fat Slinky afterwards. 
 
Extract from a feature article in an unidentified newspaper, c. 1996.

SHOWS:


ORAL HISTORY:

 

Shaun, Klaus, Kenny, and Scott tell the Nale story in their own words.

1995/1996

Hot Metal magazine, Issue 94, c. late 1996


Penrith Press, 1996







Review in Drum Media.

 
    
1997, with second drummer Kenny
 
1997.

RELATED BANDS: Room 101, Fat Slinky, Kreture, Spoonfed, The Aviators, Company Caine, Clockdoctor, Limit Infinity, Daymaker, Hifi Reactor, Exit Everywhere, Cloka, Profeci, Porn Caddy
 
BAND TREE:
 
Nale, 2024 - photo taken during recording of the Noise Levels podcast. Left to right: Scott, Kenny, Klaus, Shaun.
 
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