Showing posts with label Hard Rock. Show all posts
Showing posts with label Hard Rock. Show all posts

Friday, March 15, 2024

Given


ORIGINS: Cranebrook, NSW
GENRE: Hard Rock, Metal
YEARS ACTIVE: 1994-2013, 2017-2018
 
MEMBERS:
  • George Fotakopoulos (Guitar) (Vocals, Guitar - 2002-2003)
  • Gary Thomas (Guitar) (Vocals, Guitar - 2002-2003)
  • Josh McHattan (Drums)
  • Jai Pearce (Vocals) [1996-2001, 2004-2018]
  • Jason 'Colty' Coltan (Bass) [1995-1996]
  • Shane Wallis (Bass) [1996-2018]
RELEASES: 
 
  • Demo (1996)
    • 1. Imagine
    • 2. Down and Out
  • Self-Titled (1999)
    • 1. Down and Out
    • 2. Outfit
    • 3. Empty Room
    • 4. Twice Shy
       

  • Given EP (2002)
    • 1. Promises
    • 2. When You're There
    • 3. Mostly Me
    • 4. Reason
    • 5. Never Before
    • 6. Demist

SUMMARY: Given formed under the name Utopia while Josh McHattan, George Fotakopoulos, and Gary Thomas were in Year 9 at Cranebrook High School. Jason Coltan was recruited on bass but was replaced within a year by Shane Wallis, and singer Jai Pearce was the last member to be added after he left his previous band Watteva. The band played their first show at a bikers' club house (just prior to Pearce joining) and by 1996 they were playing under the name Exile and had recorded their first demo.
 
In 1999, after steadily gigging around Sydney with a mixture of originals and covers, the band changed their name to Given. During this time, around 2000, the band had their song 'Fade Away' picked up on the American college radio circuit and they became the house band at Richmond Royal jam nights. In 2001 they won the Great Western Bar band comp and used the money to record an EP, and toured parts of New South Wales in support of the Led Zeppelin and Doors show. Pearce left the band in ???? when he moved to Melbourne to work, prompting further name changes to Project (briefly) and Media Tramp, during which time Thomas and Fotakopoulos shared lead vocal duties. Pearce returned to Penrith in 2006 and re-joined as vocalist but the band's activity eventually slowed to a stop as members started raising families or playing in other bands. 

In 2017, the band re-formed as The Des-Men, in honour of their friend Des Thomas who had passed away in 2016. They have played a couple of times under this name at memorial events.
 
SHOWS:


ORAL HISTORY:
GARY: I remember how the band started like it was yesterday. We were in Year 9. It all came about from Josh sitting next to me in Maths. He knew I played guitar and I knew he played drums. Literally, that was all we knew about each other. And he chatted my ear off, suggesting I come over to his house for a jam. Our first practice was him and I with George playing one intro on acoustic and screaming into a shitty mic.
Gary Thomas (Guitar), Noise Levels correspondence, 2024
 
JOSH: At the time I was looking for musos to jam with but the school drummer position was filled. George made a random comment, "I'll learn and play guitar". Not long after, he was given an acoustic and we were jamming... poorly, but it was jamming. I then met Gary in a Maths class. Someone mentioned to me that he played guitar. I asked him to join us. I was so impressed he had a guitar that looked like an Angus Young SG! He was in. Jason Coltan then said he could play bass.
Joshua McHattan (Drums), Noise Levels correspondence, 2024 
 
COLTY: We would practice at Josh's house and go up to Kingswood Park shops to get hot chips and Utopia drinks. And that's where the name came from, we saw that word and it was like, "That's a mad name for a band". 
Jason Coltan (Bass), Noise Levels correspondence, 2024
 
 
GEORGE: Josh and I wanted to start a band in late 1994. He had drums and could play. I didn't have a guitar, couldn't play a note, but it still sounded like a good idea. By the time school went back in '95 we had recorded our first song and Josh had found out that Gary had an electric guitar so asked him to join. The issue at this point was that Gary and I didn't like each other but once you're in a band you get on with it. Colty then joined very reluctantly on bass. He wanted to play guitar but Gary and I are pretty stubborn and obviously we didn't want to play bass either. We had shitloads of fun with Colty but we needed a committed bass player 'cause we were super keen on improving. Shane had his own bass and amp, so he was in. 
George Fotakopoulos (Guitar), Noise Levels correspondence, 2024
 
COLTY: We were teenagers and no one knew what they were doing. None of us could keep time. I didn't fit in with what they were doing, which was very much an AC/DC or Metallica sound... I wanted to do something different, I wanted to get sounds out of instruments that you shouldn't be able to get out of them. And I didn't want to play bass. But it was so much fun. It was a fun time. They kicked me out of the band without really kicking me out of the band, which is how it's done when you're a teenager. They were just like, "Shane's playing bass now," and was like, "Yeah, thanks."
Jason Coltan (Bass), Noise Levels correspondence, 2024
 
Year 9, 1994
 
SHANE: I remember Colty was the bass player but the guys wanted to play Metallica... They knew I had bought a bass and could play it so I was invited to practice at Josh's house and the first song we played was 'For Whom the Bell Tolls' and I nailed it. 'Enter Sandman' was next if my memory serves me correctly and I played that as well. I don't think anyone officially asked me to join... I just played with them from then on. 
Shane Wallis (Bass), Noise Levels correspondence, 2024
 
JOSH: Our first show was most likely the jam night that used to be in the old Reactor room at Panthers Leagues Club. We tried to play a cover of Faith No More's 'Gentle Art of...' without a singer. Most that track is bass chug and hi hat.
Joshua McHattan (Drums), Noise Levels correspondence, 2024 

SHANE: One of our first shows was either the jam nights at the Royal in Richmond or maybe a Bikie Club in Southwest Sydney. George's neighbour was the Sergeant-at-Arms of that chapter. 
Shane Wallis (Bass), Noise Levels correspondence, 2024

JOSH: We had no singer forever. When Jai finished with his current band we asked him to join. We jammed and our line up was complete.
 Joshua McHattan (Drums), Noise Levels correspondence, 2024
 
 
JAI: I remember watching the boys play on a Sunday afternoon at Panthers when they used to play jam nights. I was singing with Watteva at the time and thought I would love to have a jam with them. I knew Shane as our Dads used to work together, and I knew of Gaz through rollcall at school. I asked them if I could sing 'Pure Massacre' as they had jammed on it the week before. We played it and I thought it was awesome. I think I got invited to a jam at Shano's hosue the following week and we just kinda started there.
Jai Pearce (Vocals), Noise Levels correspondence, 2024

SHANE: We got kicked out before we even played at Cronulla because we were all underage and our mate Mitchell tried to buy a beer. 
Shane Wallis (Bass), Noise Levels correspondence, 2024
 
GEORGE: I rarely play the pokies but for whatever reason, after we played a show, I went halves with Shane and we had a $700 win. We split the winnings but basically spent it all on screwdrivers, which is basically vodka and orange juice. Neither Shane or I have ever had one again after this night. Anyway, we ended up at Great Western Bar in Penrith and our kind of potential manager at the time, Tony Le Rhodes (The Choirboys), saw us and introduced us to his bikie friends. One of these bikies gave me a fucking massive bunger and said it would be really funny if I lit it up inside. Penrith used to be really rough and you did yourself no favours doing dumb shit like that inside a fucking rough pub. In a split second, I decided it would be really fucking funny to throw the bunger at the bikies that gave it to me. Before I did this, I turned to Shane and told him to run. I must've had that look in my eye because he didn't ask me why, he just did it. I wasn't far behind him and halfway across the street you could hear the massive bang and we ran all the way to Shane's house in the next suburb over, Lemongrove. We were wanted for a little while. In fact, I think Gary was pulled up about a year later and he wasn't even there at the time!
George Fotakopoulos (Guitar), Noise Levels correspondence, 2024

SHANE: We were pissed out of our brains after a night at Panthers drinking vodka and orange. And half of the Penrith bikies threatened to beat the shit out of us.
Shane Wallis (Bass), Noise Levels correspondence, 2024

JOSH: I used to really enjoy playing with the Led Zeppelin Show at the Richmond Royal. The drummer, Theo, was awesome and I got to play his kit a few times, which I thought was incredible. They also had a massive PA, it was way overkill for the venues but gee, that sound was huge. In terms of a great show, we also played the Mona Vale Hotel. There were actual punters there and it was a taste of having a half-decent crowd.
 Joshua McHattan (Drums), Noise Levels correspondence, 2024 

JAI: My favourite memories were practising at Adrift Studios, playing the various jam nights and university gigs. Playing the Bikie gigs. Just hanging with the guys. I look back now and they were the best days ever.
Jai Pearce (Vocals), Noise Levels correspondence, 2024


SHANE: The first major recording was intimidating because I knew if I stuffed up it was there forever. I remember on one recording there was one song that I had a bassline worked out that I thought would be great but it really didn't sound good. I wanted to re-record the part but time was running out so it had to be left in. It's always made me cringe when I listen to it again. But I do love the recording the process... I like to adlib a lot when I play live so the pressure is on in the studio and sometimes you play the wrong note but it turns out to be the right note that really takes the song to another level... it's a good feeling. 
Shane Wallis (Bass), Noise Levels correspondence, 2024

GEORGE: Our song 'Fade Away' was the title music for a surfing show on Fox. Jai was always pissed that it cut out before the singing came in. I suppose this also kicked us off playing original songs in better places. 
George Fotakopoulos (Guitar), Noise Levels correspondence, 2024

JOSH: We had a gig at this dive pub in the back of Tempe somewhere. There was no one there except for the bar staff and one single guy. He later approached us and said he was a cinema photographer of sorts and he would like to film a music clip if we were keen. We were. And so we did a film clip at the Maroubra Beach military tunnels and bunkers. It was a crazy day. Then we never heard from the guy again and, sadly, we never got to see any footage. I often think about it.
 Joshua McHattan (Drums), Noise Levels correspondence, 2024 


GEORGE: I think we were all a bit lost when Jai left to work in Melbourne. Gary and I had to relearn how to play the guitar because we weren't used to playing guitar and singing at the same time. Playing riffs and intricate bits is easier when someone else is singing. We could've changed the way we played guitar but it wasn't our style. We liked to be a bit more intricate. So around 2002-2003 we were working through all that.
George Fotakopoulos (Guitar), Noise Levels correspondence, 2024

SHANE: I suggested at one stage that we call our ourselves The Kumquats.
Shane Wallis (Bass), Noise Levels correspondence, 2024

JAI: When I came back from Melbourne they had found a different sound/style and from that the song 'Drive' was created. I remember a week after recording it just blasting the absolute fuck out of it in my car. When George's solo kicks in, I'm in Heaven.
Jai Pearce (Vocals), Noise Levels correspondence, 2024

GEORGE: I remember us playing a headlining show at the Kelts Bar in 2004 on a Saturday night, playing all original songs. The main band, Persian Rugs (a Screaming Jets side project), didn't show up so we got to do a double-set and got all the cash too... about $2000. 
George Fotakopoulos (Guitar), Noise Levels correspondence, 2024

GEORGE: A special memory for me is when Gary and I were jamming with Jeff Martin (The Tea Party) after he'd done a solo show in Windsor. I just used his guitar upside-down (since I'm left-handed) to play 'All Things Must Pass' (George Harrison) while he sung. 
George Fotakopoulos (Guitar), Noise Levels correspondence, 2024
 
 
JOSH: We never really broke up, at least from a formal perspective. I'm not sure actually what happened. We just never could get a time together with everyone's jobs, commitments, etc, and we gave up trying. But it's still alive as The Des-Men. We will always make an effort for Des, to come together as our way of celebrating and remembering him in our own way. 
 Joshua McHattan (Drums), Noise Levels correspondence, 2024

SHANE: We don't play anymore unless it's for a special occasion but the band is still essentially together. Exile, Given, or whatever we were called... it was the time of my life. Mates before the band and brothers afterwards. I really think the band brought us all closer together. 
Shane Wallis (Bass), Noise Levels correspondence, 2024

GEORGE: We love each other too much to ever truly break up. I suppose to us if we left the band it would be like leaving a friendship.
George Fotakopoulos (Guitar), Noise Levels correspondence, 2024

RELATED BANDS: Watteva, The Shenanigans, The Bernie Lomax 5, Circle of Gin, The Windjammers, And Laments, Aurelius

















Sunday, March 10, 2024

Polystigma

 
ORIGINS: Quakers Hill and Upper North Shore, NSW
GENRE: Alternative Rock
YEARS ACTIVE: 1998-2003
 
MEMBERS:
  • Jaime Stigma (Vocals, Guitar)
  • Kimb Stigma (Bass, Vocals)
  • Unknown (Guitar) [1998]
  • Kirsten 'Kit' Stigma (Drums, Vocals) [1998-2002]
  • Wayne Keene (Drums) [2002-2003]
  • Clinton Toepfer (Drums) [2003]
RELEASES: 
 
  • The Peanut Gallery (1999) 
  • Embrace the Cheese (1999)
    • 1. Posie
    • 2. Miss Grunge Angel
    • 3. Pretty Soul
    • 4. Reason Why
    • 5. Die Alone
    • 6. Image
    • 7. Romantic Destruction
    • 8. Brain Leprosy
  • Power Puff Daddy (2000)
    • 1. Acid Room
    • 2. Reason Why
    • 3. Betty's Donkey
    • 4. Pallid & Frail
    • 5. Brain Leprosy
       
  •  Four Letter Word EP (2001)
    • 1. Low Light
    • 2. Professor
    • 3. Reason Why
    • 4. Pallid & Frail
    • 5. Suzie Blew
    • 6. Perfect Breed
    • 7. Wanky Bridge
    • 8. Acid Room
    • 9. Betty's Donkey
    • 10. Witch
  • Fresh Off the Road (2001) [QLD 2001 Tour CD]
    • 1. Stand Clear Doors Closing
    • 2. Acid Room
    • 3. Daily Juice
    • 4. Witch
    • 5. Professor
    • 6. Green
    • 7. Spite
    • 8. Ground  

  • Tastes Like Moonshine (2002?) [Live]
  • Such a Mouth (2003) [Live]
SUMMARY: Polystigma began after the three original members connected with each other via Drum Media classifieds while teenagers. They began rehearsing regularly at Noisegate Studios in Castle Hill and played lots of shows at the Green Square, Iron Duke, and the Excelsior in Sydney, as well as some shows in Queensland as part of the 'Who's Your Daddy' tour to Brisbane with the band Notion. Kirsten left the band in 2002 and they continued playing with new drummers until they decided to call it a day a year later.
 
SHOWS: 


ORAL HISTORY:
KIMB: I was really into Smashing Pumpkins and other alt-rock stuff from about 12, so I started playing bass for weekly high school 'sport' with a bunch of older guys who were into Satriani and Metallica. After a while my music teacher talked my parents into buying me a bass and that same week I picked up a copy of the Drum Media and read a classified ad from a few girls my age - 14, into the same kind of music, who were looking for a bass player. I hadn't been particularly looking, but was excited by the ad that almost seemed too good to be true. I reached out to them to audition and it all just fell into place.
Kimberley Galceran (Bass), Noise Levels correspondence, 2024
 
JAIME: Before I even had a band together I was always looking for cool band names. I was in an aquarium once and saw a fish called a 'Polystigma'. I just thought it was a really cool word and decided that as soon as I got a band together that's what it was gonna be called. I then started the band when I was in Year 7 with a schoolmate of mine. We were always trying to get our friends to join our band but no one ever would. Then after we had found a drummer we put an ad in the Drum Media for a bass player and Kimb responded and it was love at first sight for us! 
Jaime Stigma (Vocals, Guitar), Cindy's Alternate Zine, 2003
 
KIMB: We lived for the band, sometimes rehearsing 3 days a week, spending way too much time hanging out at Noisegate Studios in Castle Hill picking up smoking habits. It's possible we were naive, but the scene felt supportive and safe, and I'm grateful to the bands and venues who asked us to join lineups... Formative and memorable years to say the least.
Kimberley Galceran (Bass), Noise Levels discussion, 2024

KIMB: Our first show was at Jack's Youth Cafe in Hornsby, we had 3 or 4 songs at the time, probably 6 months in. Somehow around this time, Kit got one of our super cheesy songs, 'Lonely Frog', played on the Ugly Phil and Jackie O show while she was volunteering there.
Kimberley Galceran (Bass), Noise Levels correspondence, 2024
 
KIMB: We played two Grounded Festivals in Penrith; it was great to be on a big stage. Other highlights were any gigs where we got to hang out with friends, like Spudgun. I'm still really good friends with Simo (from Spudgun)."
Kimberley Galceran (Bass), Noise Levels correspondence, 2024
 
 
REVIEW: One of my favourite local Sydney bands playing around are fast risers Polystigma, primarily a rock band with punk and grunge influences, for a three piece they make a lot of noise both live and recorded. They recorded this demo live to DAT with the vocals done after and for a demo the quality is amazing, the songs are great, definitely a development of maturity from their previous demo. Shame there's only five tracks on here because you are left wanting more. Jaime's vocals are a standout as are all five tracks. If I was to pick two standouts though I'd say 'Stand Clear' and 'Daily Juice'. 
Review of Demo by Brad Moore, Bombshellzine, 2001
 
JAIME: We were offered a recording contrast by Michael Long's new label (Jimmy Barnes, INXS) but decided to put it on hold for a while. We're really enjoying doing things independently at the moment. Having total control.
Jaime Stigma (Vocals, Guitar), Cindy's Alternate Zine, 2003
 
KIMB: Early on we were coming up with a lot of pop punk and grungey stuff, the subject matter was more immature. Listening back to these recordings I really feel like we found our sound in 2001 around the time of our live EP... There's a lot of pop there, probably more than we wanted but there's some nice contrast between the heavier moments and ballad stuff. Jaime would usually come with basic guitar progression and lyrics and I was really interested in song structure, we'd spend time working through that. I always loved her lyrics, which were sincere and about real situations, but hidden so we never even knew if she was singing about dynamics within the band, and a lot of the time she was."
Kimberley Galceran (Bass), Noise Levels correspondence, 2024
 
JAIME: Our new drummer Clint is settling in so well. He's awesome. Such a good drummer and he just fits into the band. As soon as he walked into the audition I think Kimb and I just knew he was gonna be the right one.
Jaime Stigma (Vocals, Guitar), Cindy's Alternate Zine, 2003
 
REVIEW: They've been playing around for what seems like an eternity now with a few demo CDs going around and now it's time for the first proper release. This Sydney three piece have come up with a powerful debut, combining catchy hard rock riffs with at times almost pop vocals and at othertimes vocals as powerful as the guitars. Opening up with 'Midst Of A Spin' and the tone is set, a well-structured track, primarily rock but wouldn't go astray in the power pop field. 'Such A Mouth' is a track that could sit well on the radio, smooth intro leading into a powerful chorus that sticks. 'Self Serve' is the more angsty track on here, vocals ranging from hard up to just plain rock, a chorus full of hooks, one to rival the pub rock boys. 'Daily Juice' could very well find itself on the radio, the most pop rock number on here, still keeping up the power but stripped a few levels back, probably the most catchy track on offer, and one that shows they can pull it back and not just rock hard all the time. Closing it up is 'Dead Air', my fave track on here, powerful hard rock throughout, a ripper and one that would be a live highlight.
Review of Self Serve EP by Brad Moore, Bombshellzine, 2003
 
WAYNE: I was in a few bands at Noisegate Studios so I was there all the time. Polystigma were very much a Noisegate band and I was a big fan. I think everyone there was. They were seriously good and should have probably gone a lot further. Kirsten took a break and I didn't have to be asked twice to jump in so the band could continue. I played several shows with them and recorded the EP, which was awesome as I just saw myself as a fan the whole time sitting in on one of his favourite bands. I always hoped Kirsten would come back and they would take over the world.
Wayne Keene (Drums), Noise Levels correspondence, 2024

JAIME: Our greatest achievement as a band was maybe getting the Self Serve EP finished. That was a bit of an achievement! Playing Groudned was awesome too and just playing with bands we really like and respect. Kimb and I also played in Ben Lee's upcoming film clip as his band.
Jaime Stigma (Vocals, Guitar), Cindy's Alternate Zine, 2003

WAYNE: I had a few bands - Mode 9, Suitable Few, Seattle Sound - going at the time so they got another drummer, Clinton, as a full time member. He's listed on the CD as the drummer as he was going to be a full time member but he didn't play on it. I'm not sure if he even played any shows before Polystigma broke up for good. He was an awesome drummer and it would have been great to see where he could have taken them too.
Wayne Keene (Drums), Noise Levels correspondence, 2024
 
KIMB: I wish we'd kept going. We had a lot of good opportunities around us, worked with some producers and management, and had a potential label signing... nothing fully took off but I felt like maybe it would have eventually. Everything takes its natural course though, and I feel like what we lived through at that time set us up for things we're doing now. I wish we were still as close personally as we were back them, but there's no major regrets. I like to think there's an alternative universe somewhere where Polystigma made it."
Kimberley Galceran (Bass), Noise Levels correspondence, 2024

WAYNE: I love being a part of the story but am happy for the band to always be known as those three girls as they did all of the work and achieved a lot with everything stacked against them. The Western Sydney band scene was a bit of a boys' club and they didn't bat an eyelid, just let their songs and talent do the talking. If they ever wanted to do a comeback show I'd be all over it though! 
Wayne Keene (Drums), Noise Levels correspondence, 2024

RELATED BANDS: Kampei, Death Mattel, Quarter Acre, Katsamangoes






Friday, February 16, 2024

Lost Souls

ORIGINS: Mt Druitt
GENRE: Metal / Rock
YEARS ACTIVE: 1990-1992
 
MEMBERS:
  • Shannon Richmond (Vocals, Guitar)
  • Damien Elliott (Drums)
  • Todd Rhind (Bass) [1990]
  • Gavin de la Garde (Guitar) [1991-1992]
  • Pete (Bass) [1990-1992]
SUMMARY: A Mt. Druitt high school-based hard-rock/metal band. Best known as Damien Elliott's first band, the lineup eventually morphed into the metal band Hatetrip. 
 
SHOWS: 
  • Mt Druitt High School - unknown date, 1991
  • Mt Druitt High School - unknown date, 1992
ORAL HISTORY:
DAMIEN: This was my first band in high school. Typical first band, we were learning to play our instruments and how to write songs. It was kind of rocky/metal-influenced. We never played a gig just some end of year school concerts.
Damien Elliott (Drums), Noise Levels discussion, 2024

TODD: It was originally a three-piece band, I played bass in a couple of high school gigs with my mates. I was shit, knew it and left, never played in a band again.
Todd Rhind (Bass), Noise Levels correspondence, 2024

RELATED BANDS: Hatetrip, Spilt Milk, Unpaid Debt, Columbia's Pain, Between the Devil and the Deep, Blackjaw, Insult to Injury, Crude Heat, Revenge Body